https://tinahage.com Tina Hage Mon, 13 Sep 2021 05:32:15 +0000 https://tinahage.com en https://tinahage.com/Landscape-Content Tue, 29 Jun 2021 19:59:13 +0000 Tina Hage https://tinahage.com/Landscape-Content Photographic installations (2013-2024) Landscapes and Architecture Scene from above &nbsp; &nbsp; The Place here &nbsp; &nbsp; &nbsp;Horizon &nbsp; &nbsp; &nbsp; Sunrise &nbsp; &nbsp; &nbsp;&nbsp;Façade &gt;&gt; Article about the series Scene from above &gt;&gt; Article about the series The Place here Landscapes The work is concerned with the study and re-viewing of my surroundings. The pieces often begins with the use of photography to document a scene or architectural construction. The images are then broken down to their elements and reconstructed again to form a new view. Each re-composition presents a ‘new landscape’ and addresses ways in which we co-exist in shared, public spaces. The installations aim to reveal new interpretations and often, overlooked aspects of an everyday place. (Deutsche Übersetzung)In den Arbeiten geht es um die Untersuchung und die erneute Betrachtung meiner Umgebung. Die Werke beginnen oft mit der Verwendung von Fotografie zur Dokumentation einer Szene oder einer architektonischen Konstruktion. Anschließend werden die Bilder in ihre Elemente zerlegt und wieder zu einer neuen Ansicht rekonstruiert. Jede Neukomposition präsentiert eine „neue Landschaft“ und befasst sich mit der Art und Weise, wie wir in gemeinsamen, öffentlichen Räumen zusammenleben. Ziel der Installationen ist es, neue Interpretationen und oft übersehene Aspekte eines alltäglichen Ortes aufzuzeigen. Installations Scene from above (2015-2026) Article The series Scene from above was inspired by aerial landscape photographs. These landscapes always reveal human interventions. Often, the development of the land, viewed from a great distance, produces aesthetic patterns that became a central interest in this body of work. In 2024, I began developing the works—which initially existed as small models—into large-scale, three-dimensional installations that occupy space and fundamentally alter the mode of perception. Scene from above (Forest) is inspired by an aerial photograph showing the Amazon rainforest, interrupted by scattered corrugated metal roofs. This image serves as the starting point for the installation, but it is not reproduced documentarily; rather, it is strongly abstracted. At the heart of the work are color and form, condensed into a spatial composition. The installation translates the photographic top-down view into a physically tangible structure. Through the abstraction of the landscape, specific locations dissolve in favor of a formal exploration. The sculptural elements create a relief-like topography that mediates between image and space. (Deutsche Übersetzung)Die Serie Scene from above wurde von Landschaftsaufnahmen aus der Vogelperspektive angeregt.&nbsp; Diese Landschaften zeigen stets menschliche Eingriffe. Oft entstehen durch die Erschließung des Landes, betrachtet aus großer Distanz, ästhetische Muster, die für diese Werkreihe von Interesse waren. In 2024 habe ich angefangen die zunächst als kleine Modelle existierende Arbeiten, in großformatige, dreidimensionale Installationen weiterentwickelt, die den Raum einnimmt und den Betrachtungsmodus grundlegend verändert. Scene from above (Forest) ist inspiriert von einer aus der Vogelperspektive aufgenommenen Landschaftsfotografie, die den Amazonas-Dschungel zeigt, durchbrochen von einzelnen Wellblechdächern. Diese Aufnahme bildet den Ausgangspunkt der Installation, wird jedoch nicht dokumentarisch wiedergegeben, sondern stark abstrahiert. Im Zentrum der Arbeit stehen Farbe und Form, die sich zu einer räumlichen Komposition verdichten. Die Installation überträgt die fotografische Draufsicht in eine körperlich erfahrbare Struktur. Durch die Abstraktion der Landschaft lösen sich konkrete Orte zugunsten einer formalen Auseinandersetzung auf. Die skulpturalen Elemente erzeugen eine reliefartige Topografie, die zwischen Bild und Raum vermittelt. Scene from above (Forest) (2026) <img width="2657" height="1772" width_o="2657" height_o="1772" data-src="https://freight.cargo.site/t/original/i/1e898a38552381dc7bb78e00e2b800af9ab47150a5c7156f05cc02ef48b7e183/Total_FrontL1007395-copy.jpg" data-mid="244433571" border="0" src="https://freight.cargo.site/w/1000/i/1e898a38552381dc7bb78e00e2b800af9ab47150a5c7156f05cc02ef48b7e183/Total_FrontL1007395-copy.jpg" /> <img width="2657" height="1772" width_o="2657" height_o="1772" data-src="https://freight.cargo.site/t/original/i/55bac7cff3102bc94ca344d9ad759e90bc5c61b5c5c100b94b757dc06899f33a/Wde_others_01L1007514-copy.jpg" data-mid="244433703" border="0" src="https://freight.cargo.site/w/1000/i/55bac7cff3102bc94ca344d9ad759e90bc5c61b5c5c100b94b757dc06899f33a/Wde_others_01L1007514-copy.jpg" /><img width="1949" height="2598" width_o="1949" height_o="2598" data-src="https://freight.cargo.site/t/original/i/d638f3d2deea5d8b32108ac0409cfc1d1659f358b4f3b5fc4ba38b5164c64787/Side_view_L1007408.jpg" data-mid="244433580" border="0" src="https://freight.cargo.site/w/1000/i/d638f3d2deea5d8b32108ac0409cfc1d1659f358b4f3b5fc4ba38b5164c64787/Side_view_L1007408.jpg" /><img width="1575" height="2362" width_o="1575" height_o="2362" data-src="https://freight.cargo.site/t/original/i/e1346e9007298e7b51664b2423e440f982b2fb9e02668fe2199cc2e0e4e340d3/Close_GrBL_L1007503-copy.jpg" data-mid="244433567" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/e1346e9007298e7b51664b2423e440f982b2fb9e02668fe2199cc2e0e4e340d3/Close_GrBL_L1007503-copy.jpg" /> <img width="2409" height="1772" width_o="2409" height_o="1772" data-src="https://freight.cargo.site/t/original/i/be8c465d40b7686729105abe2cf5f8f73b237948f86e0baffa01b6256d016210/Detail_front_L1007407-copy.jpg" data-mid="244433570" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/be8c465d40b7686729105abe2cf5f8f73b237948f86e0baffa01b6256d016210/Detail_front_L1007407-copy.jpg" /><img width="1792" height="2480" width_o="1792" height_o="2480" data-src="https://freight.cargo.site/t/original/i/b832c61d2c1bd472a5aff15c120563bbff75e11140f6b7ff474ee92189a63b6b/Total_Rog_L1007533-copy.jpg" data-mid="244433706" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/b832c61d2c1bd472a5aff15c120563bbff75e11140f6b7ff474ee92189a63b6b/Total_Rog_L1007533-copy.jpg" /><img width="1575" height="2362" width_o="1575" height_o="2362" data-src="https://freight.cargo.site/t/original/i/a251d5601b2eb54a4c45906f6afad18e17c400db38431d1737ad460fbc7ec159/V_closeL1007497-copy.jpg" data-mid="244433572" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/a251d5601b2eb54a4c45906f6afad18e17c400db38431d1737ad460fbc7ec159/V_closeL1007497-copy.jpg" /> Scene from above (Forest) Installation, photographic print, folded stainless steel, lacquer&nbsp; 245x200x210cm Installation Corrugated Sheets at Sunset (2025) <img width="883" height="1181" width_o="883" height_o="1181" data-src="https://freight.cargo.site/t/original/i/fe03a362cec63de1640949f0868ad33eecf9ea74d95d9868c77899f09e0c28b0/Web_Totale.jpg" data-mid="231750945" border="0" src="https://freight.cargo.site/w/883/i/fe03a362cec63de1640949f0868ad33eecf9ea74d95d9868c77899f09e0c28b0/Web_Totale.jpg" /> <img width="886" height="1181" width_o="886" height_o="1181" data-src="https://freight.cargo.site/t/original/i/5515d7557e96c0d6568382c225770fac81cc118c26d5095101fbc6b01b382a48/Web_person_Totale.jpg" data-mid="231750918" border="0" src="https://freight.cargo.site/w/886/i/5515d7557e96c0d6568382c225770fac81cc118c26d5095101fbc6b01b382a48/Web_person_Totale.jpg" /> <img width="886" height="1181" width_o="886" height_o="1181" data-src="https://freight.cargo.site/t/original/i/7d8f819a62ced730ecefb03b23867d812b218047ca8aba74daa00a14794e6800/Web_Seite_Totale.jpg" data-mid="231750919" border="0" src="https://freight.cargo.site/w/886/i/7d8f819a62ced730ecefb03b23867d812b218047ca8aba74daa00a14794e6800/Web_Seite_Totale.jpg" /> Corrugated Sheets at Sunset 2025Installation view at H8H Frankfurt, Photograph mounted on Aludibond, folded photographic prints, 220x200x90cm &gt;&gt; Link to the press artikle anout the show in the newspaper FAZ &nbsp; Wall piece&nbsp;Scene from above (Atacama) (2025) <img width="948" height="819" width_o="948" height_o="819" data-src="https://freight.cargo.site/t/original/i/11a5172a46876a0458de8c2a3a478ac18b25bac58cf9c7691643cb1812ca1e61/WEB_Total_up_studio_SFA_Atacama.jpg" data-mid="231750065" border="0" src="https://freight.cargo.site/w/948/i/11a5172a46876a0458de8c2a3a478ac18b25bac58cf9c7691643cb1812ca1e61/WEB_Total_up_studio_SFA_Atacama.jpg" /> <img width="886" height="1181" width_o="886" height_o="1181" data-src="https://freight.cargo.site/t/original/i/af1914a8dbedcf9d4c83b4f67d49db93873414278e7274a4131f7bcc30d058cb/WebProfil_studio_SFA_Atacama.jpg" data-mid="231749563" border="0" src="https://freight.cargo.site/w/886/i/af1914a8dbedcf9d4c83b4f67d49db93873414278e7274a4131f7bcc30d058cb/WebProfil_studio_SFA_Atacama.jpg" /> <img width="1181" height="886" width_o="1181" height_o="886" data-src="https://freight.cargo.site/t/original/i/986729d2244f98cede3a0ef466352160894af9018cd2f9966f6194b01739cac5/close_studio_SFA_Atacama.jpg" data-mid="231749626" border="0" src="https://freight.cargo.site/w/1000/i/986729d2244f98cede3a0ef466352160894af9018cd2f9966f6194b01739cac5/close_studio_SFA_Atacama.jpg" /><img width="1181" height="1002" width_o="1181" height_o="1002" data-src="https://freight.cargo.site/t/original/i/21e5d111f4d5811eaf6f69a746225d3dd5e172ae84eed390c5ee0963407d99fe/Web_up_studio_SFA_Atacama.jpg" data-mid="231749752" border="0" src="https://freight.cargo.site/w/1000/i/21e5d111f4d5811eaf6f69a746225d3dd5e172ae84eed390c5ee0963407d99fe/Web_up_studio_SFA_Atacama.jpg" /> Scene from above (evaporating ponds/ Atacama) 2025 2 photographic prints mounted on Aludibond, 90x90cm Installation Scene from above (Pool)&nbsp;(2024) <img width="1575" height="1290" width_o="1575" height_o="1290" data-src="https://freight.cargo.site/t/original/i/f2cf1587aebb3d05d1c4ad52fa5641f549416263fc4daafc003f8dd21706002d/L1010789_front_re1.jpg" data-mid="224485350" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/f2cf1587aebb3d05d1c4ad52fa5641f549416263fc4daafc003f8dd21706002d/L1010789_front_re1.jpg" /> <img width="1394" height="1575" width_o="1394" height_o="1575" data-src="https://freight.cargo.site/t/original/i/a6afb21c3afe08980bf6c32ef2e0b1b8d5d46b325e68f45dab496d6fa964c468/L1010796-profile.jpg" data-mid="224487556" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a6afb21c3afe08980bf6c32ef2e0b1b8d5d46b325e68f45dab496d6fa964c468/L1010796-profile.jpg" /> Scene from above (Pool) 2024Installation view at H8H Frankfurt, Photograph mounted on Aludibond, folded&nbsp;stainless&nbsp;steel,&nbsp;270x200x40cm Models Scene from above (2013/15) <img width="1500" height="1210" width_o="1500" height_o="1210" data-src="https://freight.cargo.site/t/original/i/e76ff560b3d6cc82bea424c96df021a0d0dae92053c1ba199e7def5b57da267e/POOL_IMG_6021.jpg" data-mid="112639545" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e76ff560b3d6cc82bea424c96df021a0d0dae92053c1ba199e7def5b57da267e/POOL_IMG_6021.jpg" /> <img width="1600" height="1506" width_o="1600" height_o="1506" data-src="https://freight.cargo.site/t/original/i/96f9d942a990470b9681c37d91b23be4ba74005d45a532ac5c696d3e45b4a18f/POOL_SITE_IMG_6017.jpg" data-mid="112639539" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/96f9d942a990470b9681c37d91b23be4ba74005d45a532ac5c696d3e45b4a18f/POOL_SITE_IMG_6017.jpg" /> Scene from above (Pool)Model, folded photographic prints, white panel, 40x34x5cm <img width="1457" height="1500" width_o="1457" height_o="1500" data-src="https://freight.cargo.site/t/original/i/57b0d38affbf50d200dffc4a38ca5bb54ba20dcb716bedb7fee6e86f24929ba4/TERRACED_5970.jpg" data-mid="112639538" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/57b0d38affbf50d200dffc4a38ca5bb54ba20dcb716bedb7fee6e86f24929ba4/TERRACED_5970.jpg" /> <img width="1250" height="1500" width_o="1250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ad72b44b3c7afbea7ca8ae84ebe73dff05dac9f02ad85e29260e53b4711a7dba/TERRACED_SITE_5974.jpg" data-mid="112639537" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/ad72b44b3c7afbea7ca8ae84ebe73dff05dac9f02ad85e29260e53b4711a7dba/TERRACED_SITE_5974.jpg" /> Scene from above (Terraced Housing) Model, folded photographic prints, white panel, 34x37x5cm <img width="1500" height="1097" width_o="1500" height_o="1097" data-src="https://freight.cargo.site/t/original/i/66bd90ca57a27cacd75045b110a2a61c5ade1f0736f342d691d433622bfff3ba/SKY_IMG_6006.jpg" data-mid="112639541" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/66bd90ca57a27cacd75045b110a2a61c5ade1f0736f342d691d433622bfff3ba/SKY_IMG_6006.jpg" /> <img width="1500" height="1278" width_o="1500" height_o="1278" data-src="https://freight.cargo.site/t/original/i/cb8adae93a96542a601c2d148a6647f105d6e47d92db3a91c58e3a515aaf4443/SKY_SITE_6013.jpg" data-mid="112639542" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/cb8adae93a96542a601c2d148a6647f105d6e47d92db3a91c58e3a515aaf4443/SKY_SITE_6013.jpg" /> Scene from above (Sky)Model, folded photographic prints, white panel, 42x30x5cm <img width="1396" height="1500" width_o="1396" height_o="1500" data-src="https://freight.cargo.site/t/original/i/99b1bfe0118bd1e93f0eefe911ed5575a95084a4a7249675facdf023b333f2b7/FORREST_IMG_5980.jpg" data-mid="112639544" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/99b1bfe0118bd1e93f0eefe911ed5575a95084a4a7249675facdf023b333f2b7/FORREST_IMG_5980.jpg" /> <img width="1500" height="1290" width_o="1500" height_o="1290" data-src="https://freight.cargo.site/t/original/i/43d97277c5904a079baf74d08e7bf1af3fab12d0708f2202d4dede8a25a741ba/FOREST_SITEIMG_5970.jpg" data-mid="112639543" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/43d97277c5904a079baf74d08e7bf1af3fab12d0708f2202d4dede8a25a741ba/FOREST_SITEIMG_5970.jpg" /> Scene from above (Forest) Model, folded photographic prints, white panel, 34x33x34cm Article Models Scene from above (2013/15) The series Scene from above is presented as a collection of small-scale models (approximately A4 in size). These models incorporate photographic prints that visualize landscapes, exploring the formal aspects of photography while prompting questions about the audience's perspective. The work is inspired by aerial photographs of developed landscapes. For example, Scene from Above (Pool) draws on aerial views of second-home resorts in southern Spain. Part of the series is the recreatin of landscapes as small-scale models, consisting of photographic prints: minimal, colorful, and partially folded prints forming a relief that visualises arial landscapes. By deconstructing found images of heavily developed areas and reconstructing them using photographic textures as sculptural objects, the work invites viewers to reconsider the formal aspects of photography while engaging with broader questions about perspective and human impact on the environment. Scene from Above (Pool) draws specific inspiration from aerial images of southern European suburbs, where rows of red-roofed houses with pools stretch endlessly across the landscape. This serialised repetition transforms individual elements—houses, gardens, and pools—into a homogeneous system, mirroring the structures of mass production and standardisation. The work addresses the relationship between humans and their environments, examining the systems and structures we create—whether physical or conceptual. Scene from above offering a distant, almost alien perspective of our constructed surroundings. The pieces engage in a conversation about perspective, repetition, and the ways we shape and interpret the spaces around us. The Place here ArticleSeries The Place here (2013-ongoing) The series The Place here (2013- ongoing) consist of 11 photographic installations and a video piece and investigates the spatiotemporal distance between where and when the photograph was taken and the moment it is viewed later e.g. in a book or exhibition. The places chosen have tended to be iconic brutalist architectural pieces from around the world. I am drawn to these kinds of structures due to their minimalist, functional yet highly creative use of a common material in concrete. These structures were often planed by architects in the 50s and 60s as places that serve the human use and create also communal places to bring people together. In these art works I am particular interested in the shift between the medium photography, time and place. By creating these installations and video, I explore and play with the moment that the photograph has been captured and their representation in new contexts. Often the photographic print is used as material within an installation. The Place here X (To Hastings/ 2015) 5min of the beginning of the video (duration: 11min, loop) Article&nbsp;Video The Place here X The video of series The Place here is 11min long and runs in a loop. The piece consist of single photographs, which were taken from a lower deck promenade called Bottle Alley in Hastings. The images document the entire walk on the promenade from start to finish. &nbsp; The alley is 480 metre long and runs from the pier to Warrior Square. It was built as part of a revolutionary double deck promenade in the 1930‘s by the Borough Engineer Sidney Little, who became known as the ‚concrete king‘. Bottle Alley is named as such due to the countless pieces of multi-coloured glass bottles embedded in the concrete panels along the entire length of the alley. (www.hastings.gov.uk/arts-culture/bottle/)&nbsp;The walk way was built 20 years before the term Brutalist architecture as an architectural style emerged. The video keeps changing in pace and gives at points the impression of standing still. The pace in the video is mimicking the pace of walking down the promenade and tries to take the viewer on a journey. By taking still images of the alley its perspective changes and the architecture structure becomes visible in different ways. The nearly hundred year old walk way was also interesting for me to document, as its appearance changed a lot from its original state. The remaining details from the past can still be discovered. I took the photographs for this work in 2015, in 2017 Bottle Alley was transformed with multi-coloured programmable lighting, replacing the old lighting and framework. <img width="1890" height="1778" width_o="1890" height_o="1778" data-src="https://freight.cargo.site/t/original/i/185e53e54123d2fe25283806c42023a9175f76979371671e7eed1f4c19a7c871/SET_UP_S.jpg" data-mid="112639517" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/185e53e54123d2fe25283806c42023a9175f76979371671e7eed1f4c19a7c871/SET_UP_S.jpg" /> The Place here XI (Middelkerke/ 2016/19) Photographic print mounted on aluminium, 180x95cm <img width="945" height="1278" width_o="945" height_o="1278" data-src="https://freight.cargo.site/t/original/i/47c7e38646526664fb88364b517f7039b07d3736b0e8aa288080b6a36b72e3c6/TPH_7_o.jpg" data-mid="112639518" border="0" src="https://freight.cargo.site/w/945/i/47c7e38646526664fb88364b517f7039b07d3736b0e8aa288080b6a36b72e3c6/TPH_7_o.jpg" /> <img width="945" height="1357" width_o="945" height_o="1357" data-src="https://freight.cargo.site/t/original/i/84d03d0373040e9b09cdfa0c7584e4f6ef8b05de8d9146008decea142a7a46cb/TPH_7_profil_o.jpg" data-mid="112639519" border="0" data-scale="94" src="https://freight.cargo.site/w/945/i/84d03d0373040e9b09cdfa0c7584e4f6ef8b05de8d9146008decea142a7a46cb/TPH_7_profil_o.jpg" /> The Place here VII (Golden Lane/ 2014) Photographic print, PVC, rail, clips, 143x80x100cm <img width="1675" height="2362" width_o="1675" height_o="2362" data-src="https://freight.cargo.site/t/original/i/4109911760f1d643188f7c331a969576e056ce0bc76383ed0965ce86fd8c868f/_MG_4449_o.jpg" data-mid="112639530" border="0" src="https://freight.cargo.site/w/1000/i/4109911760f1d643188f7c331a969576e056ce0bc76383ed0965ce86fd8c868f/_MG_4449_o.jpg" /> <img width="1890" height="2642" width_o="1890" height_o="2642" data-src="https://freight.cargo.site/t/original/i/15b5715671d4d53328ed390d446b2c03db07bedd2366633f800e7b3d489bb07f/_MG_4455_o.jpg" data-mid="112639529" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/15b5715671d4d53328ed390d446b2c03db07bedd2366633f800e7b3d489bb07f/_MG_4455_o.jpg" /> The Place here VIII (Great Arthur/ 2014) Photographic print, mdf, metal piece, 61x200x50cm <img width="1565" height="2079" width_o="1565" height_o="2079" data-src="https://freight.cargo.site/t/original/i/d11c80ab460006234109526e2d61f91b2db914704eb8ce96bf9047a97e4d97aa/_MG_4498_o.jpg" data-mid="112639531" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/d11c80ab460006234109526e2d61f91b2db914704eb8ce96bf9047a97e4d97aa/_MG_4498_o.jpg" /> The Place here (VI, Elephant &amp; Castle) Photographic print, pvc, clips, 150x125x20cm <img width="1600" height="1285" width_o="1600" height_o="1285" data-src="https://freight.cargo.site/t/original/i/9a7b655381b2fa8f3c2a8494ccff7abca24b9435fc0d354531069547bc1b0c66/web_L1030298_53.jpg" data-mid="112639532" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/9a7b655381b2fa8f3c2a8494ccff7abca24b9435fc0d354531069547bc1b0c66/web_L1030298_53.jpg" /> <img width="1600" height="1084" width_o="1600" height_o="1084" data-src="https://freight.cargo.site/t/original/i/df5253ada11b321db3af28a4f1d3aa18fe40e5aae393fe085a9b0b87badac9ca/close_L1030449_web.jpg" data-mid="112639533" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/df5253ada11b321db3af28a4f1d3aa18fe40e5aae393fe085a9b0b87badac9ca/close_L1030449_web.jpg" /> The Place here (III, Rio)Photographic print, pvc, clips, 130x120x15cm <img width="2641" height="1621" width_o="2641" height_o="1621" data-src="https://freight.cargo.site/t/original/i/48dd94ebe6e6ed79b7019962101f67909449f3e902f686841b9718db78576b6c/Niteroi.jpg" data-mid="112639552" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/48dd94ebe6e6ed79b7019962101f67909449f3e902f686841b9718db78576b6c/Niteroi.jpg" /> <img width="2835" height="2126" width_o="2835" height_o="2126" data-src="https://freight.cargo.site/t/original/i/8c9a728593059d84af024a2217220d4838098e2b434ca633f78f97ed0f1c4aec/Close_Niteroi_a4_01.jpg" data-mid="112639551" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/8c9a728593059d84af024a2217220d4838098e2b434ca633f78f97ed0f1c4aec/Close_Niteroi_a4_01.jpg" /><img width="1134" height="1250" width_o="1134" height_o="1250" data-src="https://freight.cargo.site/t/original/i/99fe65f1317e13bc9bbbe90fee5136075b2d0f701fddd68b871e9fcf58e80def/TPH_8_profil_o.jpg" data-mid="112639521" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/99fe65f1317e13bc9bbbe90fee5136075b2d0f701fddd68b871e9fcf58e80def/TPH_8_profil_o.jpg" /> The Place here VIII (Niteroi/ 2014) Photographic print, perspex, tape, mdf boards, clips, 240x60x60cm <img width="805" height="1300" width_o="805" height_o="1300" data-src="https://freight.cargo.site/t/original/i/0832ab6aaad1ab13ac23e5744d1b2879aae3b167a0db47e8f40394035f0fa53f/FRONT_IMG_6021_updat.jpg" data-mid="112639523" border="0" data-scale="99" src="https://freight.cargo.site/w/805/i/0832ab6aaad1ab13ac23e5744d1b2879aae3b167a0db47e8f40394035f0fa53f/FRONT_IMG_6021_updat.jpg" /> <img width="1500" height="1244" width_o="1500" height_o="1244" data-src="https://freight.cargo.site/t/original/i/20603c7fbb760fe984e0c432e63d23cdc62e035b715659a7468c50994eeb10a8/SITE_IMG_6039_updat.jpg" data-mid="112639525" border="0" src="https://freight.cargo.site/w/1000/i/20603c7fbb760fe984e0c432e63d23cdc62e035b715659a7468c50994eeb10a8/SITE_IMG_6039_updat.jpg" /> <img width="900" height="1197" width_o="900" height_o="1197" data-src="https://freight.cargo.site/t/original/i/e50fe6f14460a7ff2f377be3062453529cf1c04fe73f6aa223eded908e36a52b/CLOSE_IMG_6030_update.jpg" data-mid="112639524" border="0" data-scale="100" src="https://freight.cargo.site/w/900/i/e50fe6f14460a7ff2f377be3062453529cf1c04fe73f6aa223eded908e36a52b/CLOSE_IMG_6030_update.jpg" /> The Place here IX (Barbican/ 2014)Photographic print, mdf, metal angles, 61x155x180cm <img width="515" height="700" width_o="515" height_o="700" data-src="https://freight.cargo.site/t/original/i/67512504cbcb21ee1485d65537a5fa7a83eec84d9335cc0081761f56ae4dd839/BB_frontshot_01_29_o.jpg" data-mid="112639528" border="0" src="https://freight.cargo.site/w/515/i/67512504cbcb21ee1485d65537a5fa7a83eec84d9335cc0081761f56ae4dd839/BB_frontshot_01_29_o.jpg" /> <img width="502" height="700" width_o="502" height_o="700" data-src="https://freight.cargo.site/t/original/i/4f24dec099f930e235dc3f38b748c204a1d9d34b92b82caf7935f7eee2fd36c5/BB_close_up_Image_15_o.jpg" data-mid="112639527" border="0" data-scale="67" src="https://freight.cargo.site/w/502/i/4f24dec099f930e235dc3f38b748c204a1d9d34b92b82caf7935f7eee2fd36c5/BB_close_up_Image_15_o.jpg" /> <img width="531" height="700" width_o="531" height_o="700" data-src="https://freight.cargo.site/t/original/i/cf6bd47ef8ea4e91aacfb030b68ddb51f2cd0f456e91180ffdba1c7cea060045/BB_profil_14_o.jpg" data-mid="112639526" border="0" data-scale="69" src="https://freight.cargo.site/w/531/i/cf6bd47ef8ea4e91aacfb030b68ddb51f2cd0f456e91180ffdba1c7cea060045/BB_profil_14_o.jpg" /> The Place here I (Hackney/ 2014) Photographic print, mdf, metal angles, wood, 61x160x150cm Installation views The Place here <img width="2835" height="1812" width_o="2835" height_o="1812" data-src="https://freight.cargo.site/t/original/i/27ef9542a724ea414159e8fc73dab139f5bf6bb7ba5e71ee5d590b1e43d3bbc2/TV.jpg" data-mid="112700913" border="0" src="https://freight.cargo.site/w/1000/i/27ef9542a724ea414159e8fc73dab139f5bf6bb7ba5e71ee5d590b1e43d3bbc2/TV.jpg" /> <img width="886" height="997" width_o="886" height_o="997" data-src="https://freight.cargo.site/t/original/i/fca3474036b8ed04a285f5be5af450b4c2060f602b26f502e69767976599b85c/IMG_5836_S.jpg" data-mid="112679419" border="0" src="https://freight.cargo.site/w/886/i/fca3474036b8ed04a285f5be5af450b4c2060f602b26f502e69767976599b85c/IMG_5836_S.jpg" /> <img width="899" height="1046" width_o="899" height_o="1046" data-src="https://freight.cargo.site/t/original/i/d9b9b03b9725ca3d0ca059bbdc0792a6a3284d9fb28e77d4b76fa0ab4086fb4b/_MG_4556_01.jpg" data-mid="112687290" border="0" data-scale="100" src="https://freight.cargo.site/w/899/i/d9b9b03b9725ca3d0ca059bbdc0792a6a3284d9fb28e77d4b76fa0ab4086fb4b/_MG_4556_01.jpg" /> <img width="2142" height="1417" width_o="2142" height_o="1417" data-src="https://freight.cargo.site/t/original/i/747888815830f63a3c9c404852edd3d8a6877af8902eb54f78c45b92b56d78fb/_MG_4529.jpg" data-mid="112687439" border="0" src="https://freight.cargo.site/w/1000/i/747888815830f63a3c9c404852edd3d8a6877af8902eb54f78c45b92b56d78fb/_MG_4529.jpg" /> Horizon <img width="2420" height="1417" width_o="2420" height_o="1417" data-src="https://freight.cargo.site/t/original/i/bd8e40ed5ae1dd9164f4ff4f1ce5d59b22fab31f1001685b3a5d7f6e73abfc90/horizon_o.jpg" data-mid="112639535" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/bd8e40ed5ae1dd9164f4ff4f1ce5d59b22fab31f1001685b3a5d7f6e73abfc90/horizon_o.jpg" /> <img width="3610" height="2710" width_o="3610" height_o="2710" data-src="https://freight.cargo.site/t/original/i/8ec953bd45118cf3b55caf2dfed4b62cb782cb74ac99bb884da6916809de4a09/HORI_BRIDG_Ansicht_up01.jpg" data-mid="112639555" border="0" src="https://freight.cargo.site/w/1000/i/8ec953bd45118cf3b55caf2dfed4b62cb782cb74ac99bb884da6916809de4a09/HORI_BRIDG_Ansicht_up01.jpg" /> <img width="1260" height="1890" width_o="1260" height_o="1890" data-src="https://freight.cargo.site/t/original/i/56920915d4a155ae233f210af60a9186dfe740b07a73b6884bb3b683689ac5f5/close_up_o.jpg" data-mid="112639536" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/56920915d4a155ae233f210af60a9186dfe740b07a73b6884bb3b683689ac5f5/close_up_o.jpg" /> Horizon (2013) Photographic print, electric tape, 210x100cm Sunrise <img width="2889" height="1984" width_o="2889" height_o="1984" data-src="https://freight.cargo.site/t/original/i/d969fbf073f368f3fc54529cd62943defb6bc5a15adde8fe7099606b6c1f5bda/IMG_7990_o.jpg" data-mid="112639548" border="0" src="https://freight.cargo.site/w/1000/i/d969fbf073f368f3fc54529cd62943defb6bc5a15adde8fe7099606b6c1f5bda/IMG_7990_o.jpg" />Sunrise (2013)Exhibition view: New Positions ArtCologne with Thomas Rehbein GalleryInstallation, folded photographic prints, 240x180x160cm <img width="875" height="584" width_o="875" height_o="584" data-src="https://freight.cargo.site/t/original/i/c6e5245183dbb76bdb4ccc7c6ebd91bab47114b4074ee2cc57d8cbf220f9382a/sunrise_o.jpg" data-mid="112639546" border="0" data-scale="98" src="https://freight.cargo.site/w/875/i/c6e5245183dbb76bdb4ccc7c6ebd91bab47114b4074ee2cc57d8cbf220f9382a/sunrise_o.jpg" />Sunrise (2012)Exhibition view:&nbsp;There will be others, curated by TMLE at Angus Hughes Gallery Installation, folded photographic prints, 240x180x160cm <img width="3058" height="1984" width_o="3058" height_o="1984" data-src="https://freight.cargo.site/t/original/i/819005c1a384f8ead9b8ce74be11a0e2d07c0017ab76829e436b58956867ebb4/IMG_8002_o.jpg" data-mid="112639547" border="0" src="https://freight.cargo.site/w/1000/i/819005c1a384f8ead9b8ce74be11a0e2d07c0017ab76829e436b58956867ebb4/IMG_8002_o.jpg" />Sunrise (2013) Exhibition view:&nbsp;New Positions ArtCologne with Thomas Rehbein GalleryInstallation, folded photographic prints, 240x180x160cm Façade <img width="406" height="596" width_o="406" height_o="596" data-src="https://freight.cargo.site/t/original/i/4db27fa7e75976a8324f5a3756ebbc35472c5d79ae0a46225f4f11ed9e7f969b/facade_I_per_o.jpg" data-mid="112639549" border="0" data-scale="84" src="https://freight.cargo.site/w/406/i/4db27fa7e75976a8324f5a3756ebbc35472c5d79ae0a46225f4f11ed9e7f969b/facade_I_per_o.jpg" /> Façade I (2010) Exhibition view: LoBe (Residency &amp; Show), Berlin, Germany Photographic prints, site-specific installation (approx. 300cm x 320cm) <img width="340" height="555" width_o="340" height_o="555" data-src="https://freight.cargo.site/t/original/i/b4b2a4d7ab1ca7e29a116bf111b61f3a8854aa96b600e3fb7768679413b2d355/facade_I_o.jpg" data-mid="112639550" border="0" data-scale="76" src="https://freight.cargo.site/w/340/i/b4b2a4d7ab1ca7e29a116bf111b61f3a8854aa96b600e3fb7768679413b2d355/facade_I_o.jpg" /> https://tinahage.com/Slideshow Wed, 19 May 2021 07:11:16 +0000 Tina Hage https://tinahage.com/Slideshow https://tinahage.com/Works-Thumbnails Wed, 19 May 2021 07:11:17 +0000 Tina Hage https://tinahage.com/Works-Thumbnails Photographic installations (2013-2025) Landscapes and Architecture <img width="1575" height="1290" width_o="1575" height_o="1290" data-src="https://freight.cargo.site/t/original/i/ecba9d4e49227bad669a01642df5930746bec63b9d2191c15ba71db1dee5f568/L1010789_front_re1.jpg" data-mid="224485279" border="0" src="https://freight.cargo.site/w/1000/i/ecba9d4e49227bad669a01642df5930746bec63b9d2191c15ba71db1dee5f568/L1010789_front_re1.jpg" /> Photographic series (2013/2015) Rehearsal <img width="1444" height="1920" width_o="1444" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4aa5fd8bfe38e9b39bcab7fb2ade4327bd8c255ce7c6a3f667e60b292ecd3530/PONY_38x51_noise_FLAT.jpg" data-mid="108894096" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4aa5fd8bfe38e9b39bcab7fb2ade4327bd8c255ce7c6a3f667e60b292ecd3530/PONY_38x51_noise_FLAT.jpg" /> Photographic series (2011)Gestalt <img width="650" height="866" width_o="650" height_o="866" data-src="https://freight.cargo.site/t/original/i/9b12b0649bf44879be9aa7d7d60228b1016ea9e623cbb56c0c70566dac48646b/07_Gestalt-copy.jpg" data-mid="108894093" border="0" data-scale="100" src="https://freight.cargo.site/w/650/i/9b12b0649bf44879be9aa7d7d60228b1016ea9e623cbb56c0c70566dac48646b/07_Gestalt-copy.jpg" /> Photographs and wall installations (2008-ongoing)Universal Pattern <img width="1179" height="804" width_o="1179" height_o="804" data-src="https://freight.cargo.site/t/original/i/afc489a8f7b2d015fa09a7910d584d981a7f6cacfb4ee16209fb03041034d708/UNIPATT_I_of01-copy.jpg" data-mid="108894091" border="0" src="https://freight.cargo.site/w/1000/i/afc489a8f7b2d015fa09a7910d584d981a7f6cacfb4ee16209fb03041034d708/UNIPATT_I_of01-copy.jpg" /> Photographic series (2021) The one that couldn’t get away <img width="2362" height="1852" width_o="2362" height_o="1852" data-src="https://freight.cargo.site/t/original/i/4e64ece3a16a2489dac5b073ce12ed7e3084601dd4bb97bf8fb78ffb4d1a8b93/0_16_WALL_Game_I.jpg" data-mid="112674118" border="0" src="https://freight.cargo.site/w/1000/i/4e64ece3a16a2489dac5b073ce12ed7e3084601dd4bb97bf8fb78ffb4d1a8b93/0_16_WALL_Game_I.jpg" /> Prints and video (2017/2021)Marble and Drapes <img width="491" height="709" width_o="491" height_o="709" data-src="https://freight.cargo.site/t/original/i/de001782afb8b988f01172e6790ccd0cdff73eacdf86738fca2121de1cd2052f/Job_0173_-copy0.jpg" data-mid="108894095" border="0" src="https://freight.cargo.site/w/491/i/de001782afb8b988f01172e6790ccd0cdff73eacdf86738fca2121de1cd2052f/Job_0173_-copy0.jpg" /> Series of photographs and installation (2010-2011)Getaway <img width="1427" height="1000" width_o="1427" height_o="1000" data-src="https://freight.cargo.site/t/original/i/9b0955a21b498063af519c0068007d85cd23d978014a87bdd3e473d62c8e531a/Afflux_o.jpg" data-mid="108894089" border="0" src="https://freight.cargo.site/w/1000/i/9b0955a21b498063af519c0068007d85cd23d978014a87bdd3e473d62c8e531a/Afflux_o.jpg" /> Series of photographs (2008-ongoing)Gesture <img width="819" height="603" width_o="819" height_o="603" data-src="https://freight.cargo.site/t/original/i/73f4ada26d7b8a527c3590e8891ab6ec77c04c195229f20b6b4845721b7897ba/dreamstart1_o.jpg" data-mid="108894094" border="0" src="https://freight.cargo.site/w/819/i/73f4ada26d7b8a527c3590e8891ab6ec77c04c195229f20b6b4845721b7897ba/dreamstart1_o.jpg" />Stills and video (2008-2009)Projections <img width="974" height="1130" width_o="974" height_o="1130" data-src="https://freight.cargo.site/t/original/i/7170c3781ab34c48f1e7bedcb7344401b84f8008faf4111a4438acb28a6abb32/Untitled_3Graces_o.jpg" data-mid="108894090" border="0" data-scale="97" src="https://freight.cargo.site/w/974/i/7170c3781ab34c48f1e7bedcb7344401b84f8008faf4111a4438acb28a6abb32/Untitled_3Graces_o.jpg" /> https://tinahage.com/selected-exhibitions Mon, 13 Sep 2021 05:32:15 +0000 Tina Hage https://tinahage.com/selected-exhibitions Installation viewsSelected exhibitions <img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e9312ba0ed6d50a42efc0cdfe3b8970e3155680f403900798be3036914f95383/E01302BC-7909-4A14-8D85-531F91A9F088.JPG" data-mid="159464730" border="0" alt="Shaping Protest / Museum Ulm (2022/23)" data-caption="Shaping Protest / Museum Ulm (2022/23)" src="https://freight.cargo.site/w/1000/i/e9312ba0ed6d50a42efc0cdfe3b8970e3155680f403900798be3036914f95383/E01302BC-7909-4A14-8D85-531F91A9F088.JPG" /> <img width="1417" height="938" width_o="1417" height_o="938" data-src="https://freight.cargo.site/t/original/i/1d7f6b375fde905fcfec82882b6592697062b9da53bd8c34472e0de9fcf01bfe/L1010712-Edit_ins-copy.jpg" data-mid="141904526" border="0" alt="Universal Pattern / Kunsthalle G&ouml;ppingen (2022)" data-caption="Universal Pattern / Kunsthalle Göppingen (2022)" src="https://freight.cargo.site/w/1000/i/1d7f6b375fde905fcfec82882b6592697062b9da53bd8c34472e0de9fcf01bfe/L1010712-Edit_ins-copy.jpg" /> <img width="1890" height="1260" width_o="1890" height_o="1260" data-src="https://freight.cargo.site/t/original/i/0600d33e90bd338fe9c4c8b169b0fd90cdf35d4477713b9eb5c5851f4a948e42/Face_Control_01.jpg" data-mid="141904173" border="0" alt="Group show Face Control / Foundation Foto Colectania / Barcelona (2022)" data-caption="Group show Face Control / Foundation Foto Colectania / Barcelona (2022)" src="https://freight.cargo.site/w/1000/i/0600d33e90bd338fe9c4c8b169b0fd90cdf35d4477713b9eb5c5851f4a948e42/Face_Control_01.jpg" /> <img width="3543" height="2351" width_o="3543" height_o="2351" data-src="https://freight.cargo.site/t/original/i/74601ca40eceab8c7a5b3eb89f715f914f820183769e0de5f6415132151e81ef/Eingangsbereich_Update_s.jpg" data-mid="123361367" border="0" data-rotation="0" alt="The one that couldn't get away / Thomas Rehbein Gallery Cologne (2021)" data-caption="The one that couldn't get away / Thomas Rehbein Gallery Cologne (2021)" src="https://freight.cargo.site/w/1000/i/74601ca40eceab8c7a5b3eb89f715f914f820183769e0de5f6415132151e81ef/Eingangsbereich_Update_s.jpg" /> <img width="1340" height="857" width_o="1340" height_o="857" data-src="https://freight.cargo.site/t/original/i/539ee686567651075f80a1dfcf9dc20f7ea2e1969d7f1cfc132eaad57fb34090/niteroi-copy.jpg" data-mid="123389785" border="0" alt="Infinite Gesture / Thomas Rehbein Gallery Cologne (2015)" data-caption="Infinite Gesture / Thomas Rehbein Gallery Cologne (2015)" src="https://freight.cargo.site/w/1000/i/539ee686567651075f80a1dfcf9dc20f7ea2e1969d7f1cfc132eaad57fb34090/niteroi-copy.jpg" /> <img width="886" height="997" width_o="886" height_o="997" data-src="https://freight.cargo.site/t/original/i/fca3474036b8ed04a285f5be5af450b4c2060f602b26f502e69767976599b85c/IMG_5836_S.jpg" data-mid="123361368" border="0" alt="The Place Here, Object / A Gallery, Manchester, UK (2015)" data-caption="The Place Here, Object / A Gallery, Manchester, UK (2015)" src="https://freight.cargo.site/w/886/i/fca3474036b8ed04a285f5be5af450b4c2060f602b26f502e69767976599b85c/IMG_5836_S.jpg" /> <img width="2142" height="1417" width_o="2142" height_o="1417" data-src="https://freight.cargo.site/t/original/i/747888815830f63a3c9c404852edd3d8a6877af8902eb54f78c45b92b56d78fb/_MG_4529.jpg" data-mid="123361361" border="0" alt="Trialogues by Peer Session, ASC Gallery, London (2014)" data-caption="Trialogues by Peer Session, ASC Gallery, London (2014)" src="https://freight.cargo.site/w/1000/i/747888815830f63a3c9c404852edd3d8a6877af8902eb54f78c45b92b56d78fb/_MG_4529.jpg" /> <img width="643" height="850" width_o="643" height_o="850" data-src="https://freight.cargo.site/t/original/i/a9c7fe6450761782b97b5a901cb5c7812e90563e82885bbacd8ed9c81b99ae40/Place-Here-III.jpg" data-mid="124011952" border="0" alt="UH-LA-LARGO, Largo das Artes, Rio de Janeiro, Brazil (2014)" data-caption="UH-LA-LARGO, Largo das Artes, Rio de Janeiro, Brazil (2014)" src="https://freight.cargo.site/w/643/i/a9c7fe6450761782b97b5a901cb5c7812e90563e82885bbacd8ed9c81b99ae40/Place-Here-III.jpg" /> <img width="1023" height="581" width_o="1023" height_o="581" data-src="https://freight.cargo.site/t/original/i/e7d9c4cb5de9d18daab20264330d7c7fd5941fdbed5b7bc897659be3b1e9fc05/artcolog_o.jpg" data-mid="124009825" border="0" alt="New Positions, ArtCologne, Thomas Rehbein Gallery, Cologn (2013)" data-caption="New Positions, ArtCologne, Thomas Rehbein Gallery, Cologn (2013)" src="https://freight.cargo.site/w/1000/i/e7d9c4cb5de9d18daab20264330d7c7fd5941fdbed5b7bc897659be3b1e9fc05/artcolog_o.jpg" /> <img width="888" height="591" width_o="888" height_o="591" data-src="https://freight.cargo.site/t/original/i/8d06bbbc8ea531c374b9199743cc231d10da67327d3f341b296da104ccdae840/Gestalt_total_03.jpg" data-mid="124019248" border="0" alt="Gestalt, Tenderpixel Gallery, London (2012)" data-caption="Gestalt, Tenderpixel Gallery, London (2012)" src="https://freight.cargo.site/w/888/i/8d06bbbc8ea531c374b9199743cc231d10da67327d3f341b296da104ccdae840/Gestalt_total_03.jpg" /> <img width="1155" height="1713" width_o="1155" height_o="1713" data-src="https://freight.cargo.site/t/original/i/053dddd17302b15881e6763a11f39acf3150a61f8cb235ebb0704671aff68fcf/Total_o.jpg" data-mid="123361359" border="0" alt="Deptford X, London (2011)" data-caption="Deptford X, London (2011)" src="https://freight.cargo.site/w/1000/i/053dddd17302b15881e6763a11f39acf3150a61f8cb235ebb0704671aff68fcf/Total_o.jpg" /> <img width="1306" height="884" width_o="1306" height_o="884" data-src="https://freight.cargo.site/t/original/i/d046c9d56904669bce91051f4518791bdba8bc7c019dff77048457db2810cf31/Billboard.jpg" data-mid="219309499" border="0" alt="The Big Picture, Denver (2011)" data-caption="The Big Picture, Denver (2011)" src="https://freight.cargo.site/w/1000/i/d046c9d56904669bce91051f4518791bdba8bc7c019dff77048457db2810cf31/Billboard.jpg" /> <img width="814" height="600" width_o="814" height_o="600" data-src="https://freight.cargo.site/t/original/i/e68e11d2f864576e4a12f3821b6cb6ff8b4f5214587726be89e7fb576a40bc05/retreat_tent_o.jpg" data-mid="123389856" border="0" alt="The Wolfson Syndrome, The Modern Language Experiment, London (2011)" data-caption="The Wolfson Syndrome, The Modern Language Experiment, London (2011)" src="https://freight.cargo.site/w/814/i/e68e11d2f864576e4a12f3821b6cb6ff8b4f5214587726be89e7fb576a40bc05/retreat_tent_o.jpg" /> <img width="2126" height="1417" width_o="2126" height_o="1417" data-src="https://freight.cargo.site/t/original/i/8f51863bca6a75068fe3841ad7131667b01e389f131b39843bb385980147b396/queue_s.jpg" data-mid="124012527" border="0" alt="LoBe - London Berlin Art Kunst, Berlin (2010)" data-caption="LoBe - London Berlin Art Kunst, Berlin (2010)" src="https://freight.cargo.site/w/1000/i/8f51863bca6a75068fe3841ad7131667b01e389f131b39843bb385980147b396/queue_s.jpg" /> <img width="705" height="472" width_o="705" height_o="472" data-src="https://freight.cargo.site/t/original/i/23dff592085eeaa20fc647e6a1be26965890216c7407311a93a7e9d47ed0ee93/Uni_Pat_II_exhi_set02_FW_CROP.jpg" data-mid="124010729" border="0" alt="Arbeit / Labour, Fotomuseum Winterthur, Switzerland (2010)" data-caption="Arbeit / Labour, Fotomuseum Winterthur, Switzerland (2010)" src="https://freight.cargo.site/w/705/i/23dff592085eeaa20fc647e6a1be26965890216c7407311a93a7e9d47ed0ee93/Uni_Pat_II_exhi_set02_FW_CROP.jpg" /> <img width="1897" height="1181" width_o="1897" height_o="1181" data-src="https://freight.cargo.site/t/original/i/d486f404c97b748a9cfb3225f2a9a73ef0fd37d1911ccc6e9f639b0a3755f7c9/Total_2.jpg" data-mid="124153302" border="0" alt="KiC &ndash; Nord Art 09, Buedelsdorf, Germany (2009)" data-caption="KiC – Nord Art 09, Buedelsdorf, Germany (2009)" src="https://freight.cargo.site/w/1000/i/d486f404c97b748a9cfb3225f2a9a73ef0fd37d1911ccc6e9f639b0a3755f7c9/Total_2.jpg" /> <img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/77213bdd9c53b0de1e4d43b25c1daa64647ed96605e04d1fd0361cb949b305a9/Docu_Gold_g20.jpg" data-mid="123361370" border="0" alt="Goldsmiths College MFA Degree Show, London (2009)" data-caption="Goldsmiths College MFA Degree Show, London (2009)" src="https://freight.cargo.site/w/1000/i/77213bdd9c53b0de1e4d43b25c1daa64647ed96605e04d1fd0361cb949b305a9/Docu_Gold_g20.jpg" /> <img width="720" height="480" width_o="720" height_o="480" data-src="https://freight.cargo.site/t/original/i/46639fbbf107d87b5a7d6b2f35e9006590d3f11c2f6c7b4660c7315f2fe9bf36/38677_422029805964_1649474_n.jpg" data-mid="219312776" border="0" alt="Shift Work, Street Art Festival, London (2010)" data-caption="Shift Work, Street Art Festival, London (2010)" src="https://freight.cargo.site/w/720/i/46639fbbf107d87b5a7d6b2f35e9006590d3f11c2f6c7b4660c7315f2fe9bf36/38677_422029805964_1649474_n.jpg" /> https://tinahage.com/Press-Publications Wed, 09 Jul 2014 13:17:41 +0000 Tina Hage https://tinahage.com/Press-Publications German Newspaper article in the FAZ (2025)Group show “The Conversations” at H8H.space, Frankfurt May 2025&nbsp; <img width="1024" height="751" width_o="1024" height_o="751" data-src="https://freight.cargo.site/t/original/i/bca1df9a14e78b0214063efa1220a04b70521cdae5ef29cfb486a3f57c4385d2/Artikle.jpg" data-mid="234156542" border="0" src="https://freight.cargo.site/w/1000/i/bca1df9a14e78b0214063efa1220a04b70521cdae5ef29cfb486a3f57c4385d2/Artikle.jpg" /> &gt;&gt; Link to installation shots of work in group show&nbsp;“The Conversations” Translation&nbsp; Blind Dates and Dialogues – “The Conversations” at H8H.space, Frankfurt At least the artists were asked. After all, it doesn’t hurt to know what you're getting into when a small curatorial team invites you to a blind date. With artists, some from London, some from Frankfurt, who mostly only knew of each other by reputation before the exhibition titled “The Conversations.” It’s a rather appealing experimental setup, one might say — and perhaps not even the curators Jochem Hendricks, Keh Ng, Tina Hage, and Matthew Stock knew whether and what the pairings brought together in the H8H.space would have to say to one another. And yet, even though Hendricks’ conceptual sound piece here and Demi Spriggs’ Exercise in Folklore there are connected by little more than their analog medium; even though it’s hard to reconcile Jagoda Bednarsky’s painting with Keh Ng’s Beast of Hackney Marshes; and even though Warren Garland initially appreciated Dirk Krecker’s collages primarily as a backdrop for his own video work — the concept largely works. This is less a matter of form or preferences and more a result of the respective artistic attitudes, as is evident, for instance, in Karl England’s Variable and Thuy Tien Nguyen’s Platform. It also stems from the audacity with which, for example, Blue Curry sarcastically questions the identity discourse in art — paying homage in doing so to the bravado of one-time enfant terrible Georg Herold. The initiated dialogues prove especially stimulating in their juxtaposition of younger and more established positions. More than five decades separate the minimalist “reliefs” of Charlotte Posenenske and the photography-based work of Tina Hage, born in 1976. And in the realm of art, that’s more than just half a lifetime — it’s a world apart. Here, however, the artistic positions truly have something to say to each other. They are not simply talking past one another. — Christoph Schütte“The Conversations” at H8H.space, Frankfurt, Hohenstaufenstraße 8. On view until May 16. Interview on Tique&nbsp;(2024)Tique is a publication on contemporary art that exists both in print and online. Link. <img width="1753" height="9506" width_o="1753" height_o="9506" data-src="https://freight.cargo.site/t/original/i/b63410ca8d005f45a41e53e91d4149300028cd2a4da84647c17560090992b1c3/tique.jpg" data-mid="203608629" border="0" src="https://freight.cargo.site/w/1000/i/b63410ca8d005f45a41e53e91d4149300028cd2a4da84647c17560090992b1c3/tique.jpg" /> German Artikel (Auszug) von Antje Merke&nbsp;(2022)Schwäbische Zeitung <img width="775" height="1805" width_o="775" height_o="1805" data-src="https://freight.cargo.site/t/original/i/9e5a72a19b26ed8d53d7f29360e8c91907a0b63201b04a0c58dcacbedaa938ed/Schwaebische_hage.jpg" data-mid="159462182" border="0" src="https://freight.cargo.site/w/775/i/9e5a72a19b26ed8d53d7f29360e8c91907a0b63201b04a0c58dcacbedaa938ed/Schwaebische_hage.jpg" /> Der gesamte Artikel ist hier&nbsp;zu lesen. GermanArtikel von Magrit Haas&nbsp;(2022)Südwest Presse&nbsp;<img width="2478" height="5102" width_o="2478" height_o="5102" data-src="https://freight.cargo.site/t/original/i/f2cea6f71b2c3062ec6b84416ef89a8e1fd5412beb0a94a809d1ef496b0b4f0a/Presse_artikel_SWP_s.jpg" data-mid="165116875" border="0" src="https://freight.cargo.site/w/1000/i/f2cea6f71b2c3062ec6b84416ef89a8e1fd5412beb0a94a809d1ef496b0b4f0a/Presse_artikel_SWP_s.jpg" />GermanArtikel im Filstalexpress&nbsp;(2022)<img width="1334" height="1753" width_o="1334" height_o="1753" data-src="https://freight.cargo.site/t/original/i/7326e7da91ff5fefb65448dcf19b72c6bcff93daf5a2b12c4300aca68d32ca4e/artikel_filstaexpress01.jpg" data-mid="170121667" border="0" src="https://freight.cargo.site/w/1000/i/7326e7da91ff5fefb65448dcf19b72c6bcff93daf5a2b12c4300aca68d32ca4e/artikel_filstaexpress01.jpg" /> Fotos from guided tours with pupils at the show Universal Pattern at Kunsthalle Göppingen (2022)Fotos by Dr. Melanie Ardjah <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/97cf1450395b702d2d1851d59db61ef88087fb439ae38de237f54d367fe4f9d5/100d954a-d024-47f2-b7e7-cbe2dc736a91.JPG" data-mid="170121893" border="0" src="https://freight.cargo.site/w/1000/i/97cf1450395b702d2d1851d59db61ef88087fb439ae38de237f54d367fe4f9d5/100d954a-d024-47f2-b7e7-cbe2dc736a91.JPG" /> <img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/db825f866b64b589f8380fbbfdc75ebd61ef21b6710ae595689f8b68e54c457b/20379348-5a83-49bb-bb14-baa91791e614.JPG" data-mid="170121894" border="0" src="https://freight.cargo.site/w/1000/i/db825f866b64b589f8380fbbfdc75ebd61ef21b6710ae595689f8b68e54c457b/20379348-5a83-49bb-bb14-baa91791e614.JPG" /> <img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/3bf797adb5ce55b03dde6f78eed4e2a81ca558ea630ef3d56c08672841152ed4/cf70adc7-565d-46a6-b1d6-aae436910553.JPG" data-mid="170121895" border="0" src="https://freight.cargo.site/w/1000/i/3bf797adb5ce55b03dde6f78eed4e2a81ca558ea630ef3d56c08672841152ed4/cf70adc7-565d-46a6-b1d6-aae436910553.JPG" /> German Artikel von Damian Zimmermann&nbsp;(2021) Kölner Stadt-Anzeiger <img width="1559" height="2831" width_o="1559" height_o="2831" data-src="https://freight.cargo.site/t/original/i/a144c6b506af5b00c8323483ce1f54307f2b4771ed9dc0e1cebb7399d1484da3/Rehbein_ex-copy.jpg" data-mid="165117352" border="0" src="https://freight.cargo.site/w/1000/i/a144c6b506af5b00c8323483ce1f54307f2b4771ed9dc0e1cebb7399d1484da3/Rehbein_ex-copy.jpg" /> Der&nbsp; Artikel als PDF hier. Article by Uma Karavadra (2020)On Contemporary Art Society / Artist to Watch<img width="1575" height="1068" width_o="1575" height_o="1068" data-src="https://freight.cargo.site/t/original/i/ae6c47d4f70952f9515566104b4f5722d2b0bb88879aa7e551f64fc4b9342690/Bildschirmfoto-2021-06-22-um-19.30.10.jpg" data-mid="112064226" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/ae6c47d4f70952f9515566104b4f5722d2b0bb88879aa7e551f64fc4b9342690/Bildschirmfoto-2021-06-22-um-19.30.10.jpg" /> To read the whole article please click here. Fot What is an Art Book? Volume 3 (2014) Publication produced by The Modern Language Experiment <img width="417" height="590" width_o="417" height_o="590" data-src="https://freight.cargo.site/t/original/i/64fb446b6327278283cb045f39ae18863f6f489087f45dc539990910fefdc918/what-is-art03_01_o.jpg" data-mid="108889252" border="0" src="https://freight.cargo.site/w/417/i/64fb446b6327278283cb045f39ae18863f6f489087f45dc539990910fefdc918/what-is-art03_01_o.jpg" /> Conceived initially as a part of the London based collaborative event by the Mews Project Space 'Artists books Weekend' “What is an Art Book?” is an investigation in to the politics of artists books, its mode of production and its recent resurgence in the art world. For this our third volume The Modern Language Experiment is very excited to be collaborating with two New York spaces. Garis &amp; Hahn and Young &amp; Starving. An Art Book today can be seen to occupy various different positions including that of a piece of theory, a catalogue, a printed exhibition, a piece of art in itself, a supplement to a pre-existing piece. It can be a proposal for the future or an examination of the present or what has passed. “What is an Art Book?” will be an investigation of what an Art Book is in terms of material, conceptual, industrial and political concerns. For more information visit The Modern Language Experiment web site.<img width="1080" height="741" width_o="1080" height_o="741" data-src="https://freight.cargo.site/t/original/i/fb536b3be5ed9afdc64b65661bf75e72435048f4736d9ec66d9a2b8f4e7ce48b/what-is-art03_o.jpg" data-mid="108889253" border="0" src="https://freight.cargo.site/w/1000/i/fb536b3be5ed9afdc64b65661bf75e72435048f4736d9ec66d9a2b8f4e7ce48b/what-is-art03_o.jpg" /> HESA imprint / Issue 20 (2012)Article The series Red Carpet was published in the magazine HESA imprint in September 2012. Twentieth issue of art magazine HESA imprint, "Koodi - Code" including work by Tina Hage, Alban Low, Daniel Bourke, Pascal Brateau, Vanessa Chong, Jon Gourley, Tracy Piper-Wright, Caroline Underwood. To see the whole magazine please click here. <img width="1024" height="599" width_o="1024" height_o="599" data-src="https://freight.cargo.site/t/original/i/333da0c76e2a26cf5f806c97158ccd511cf7b7aef93d69c5f8b261ffa7f1471a/HESA_PRINT_o.jpg" data-mid="108889248" border="0" src="https://freight.cargo.site/w/1000/i/333da0c76e2a26cf5f806c97158ccd511cf7b7aef93d69c5f8b261ffa7f1471a/HESA_PRINT_o.jpg" /> Aesthetica magazine (2012)Interview <img width="704" height="782" width_o="704" height_o="782" data-src="https://freight.cargo.site/t/original/i/6f85d0e9a4510f1322e9687d8f157cafec3b35d44bbefd1a3af28088bcad85ce/aesthetica_o.jpg" data-mid="108889249" border="0" src="https://freight.cargo.site/w/704/i/6f85d0e9a4510f1322e9687d8f157cafec3b35d44bbefd1a3af28088bcad85ce/aesthetica_o.jpg" /> BR: Tell me about Gestalt. What are the bare bones of the project and where did it begin?TH: My work starts with found images particularly those from newspapers and online media. I often look at journalistic images and have amassed a large collection of these, so I have become very aware of the various uprisings in different countries that have sprung up since the end of 2010.What interests me is that all the protesters from these diverse places appear to be people on the street as opposed to seasoned activists and are self-organised. However, the actions of the UK rioters cannot been seen in the same context as the protesters in Egypt for example. There is clearly an unplanned movement of masses in a swarm like mentality which uses social media and networking to communicate. The result of this is an almost spontaneous physical presence on the street. The protesters are mostly anonymous; there is no confirmed leader and most of the time the faces we see in the media are completely covered.It is important to mention that this work is not about the subject of protest, but rather the formal language that these protesters start to create. Until recently, protests were usually pre-organised with defined leaders and political agendas. The language emerging from these new protests represent a different way in which masses now form. It is one of anonymity and viral chaos. BR: What can we expect to see from the new work and what reaction do you anticipate from audiences to the show?TH: When you step into the gallery space, you are physically standing inside the work. The photographic installation is made of large format prints on panels, set up very closely next to each other. The other element of the show is a book, containing images in the exhibition and additional works from the series. It creates rhythm, movement and patterns by juxtaposing the images next to each other in the page layout. Both elements are important to the show because they broaden the context of the work. The show and the book are not a political statement about protesting, I am more interested in looking closely at the anonymous individual and how they emerge as part of a movement; their gestures, appearance and actions. I would like the audience to discover a visual language that lets in their own association towards the work. I did not want to produce work which can be put into a distinct category, I always feel that restricts ways of thinking and new associations. I am fascinated by these current movements across the globe and I would like to contribute to see the individual in other aspect besides the greater political movement they are part of. To read the full interview please click here What is an Art Book? Volume 1 (2012)Publication produced by The Modern Language Experiment <img width="1142" height="1618" width_o="1142" height_o="1618" data-src="https://freight.cargo.site/t/original/i/91db804d921b3db494d40c65e1190b68a600cab082df29f6900e793ede13365f/Bildschirmfoto-2021-06-28-um-09.42.09.png" data-mid="112477043" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/91db804d921b3db494d40c65e1190b68a600cab082df29f6900e793ede13365f/Bildschirmfoto-2021-06-28-um-09.42.09.png" /> What is an Artbook? Published on Jun 20, 2012&nbsp; An Art Book today can be seen to occupy various different positions including that of a piece of theory, a catalogue, a printed exhibition, a piece of art in itself, a supplement to a pre-existing piece. It can be a proposal for the future or an examination of the present or what has passed. “What is an Art Book?” will be an investigation of what an Art Book is in terms of material and conceptual concerns. It is a collaborative project that will be produced during the Artist Books Weekend at the Mews Project Space. <img width="2288" height="1616" width_o="2288" height_o="1616" data-src="https://freight.cargo.site/t/original/i/585fc5f8e6e6a622b5f1335b2d733d5781805376b20b34a8220cc810b316f3a4/Bildschirmfoto-2021-06-28-um-09.41.54.png" data-mid="112477044" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/585fc5f8e6e6a622b5f1335b2d733d5781805376b20b34a8220cc810b316f3a4/Bildschirmfoto-2021-06-28-um-09.41.54.png" /> <img width="2288" height="1612" width_o="2288" height_o="1612" data-src="https://freight.cargo.site/t/original/i/b853761ea770c246c1027efbe41d46b8b8c9b4294ff8fe82b23bf2f1a98e2431/Bildschirmfoto-2021-06-28-um-09.44.45.png" data-mid="112477079" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b853761ea770c246c1027efbe41d46b8b8c9b4294ff8fe82b23bf2f1a98e2431/Bildschirmfoto-2021-06-28-um-09.44.45.png" /> Artists, writers, curators, designers and other practitioners are invited to respond to the title of the project by contributing their interpretation of what an Art book means to them and their practice. Each contributor can propose text, drawings, photographs, sculpture, performance, audio recordings, video or any other concept/theory as long as it can ultimately be realised in A4 paper format and in black and white. Tina Hage // Gestalt (2012) Publication The publication contains artworks of the series 'Gestalt' and a text by Keh Ng (The modern language experiment). It was produced in context of Tina's solo show at Tenderpixel Gallery in February 2012. It is currently available at blurb. <img width="1555" height="575" width_o="1555" height_o="575" data-src="https://freight.cargo.site/t/original/i/cac133d28d4275197dfbb094f955f179e474e182b577c705e1662f5262106b74/gestalt_cover_01_o.jpg" data-mid="108889251" border="0" src="https://freight.cargo.site/w/1000/i/cac133d28d4275197dfbb094f955f179e474e182b577c705e1662f5262106b74/gestalt_cover_01_o.jpg" /> <img width="2657" height="3543" width_o="2657" height_o="3543" data-src="https://freight.cargo.site/t/original/i/866d75cd193fcf1b3b52d7a8cc0e5e36b59dbb5c1d25b297a9551e9d23892854/Gestalt_guise016.jpg" data-mid="112478069" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/866d75cd193fcf1b3b52d7a8cc0e5e36b59dbb5c1d25b297a9551e9d23892854/Gestalt_guise016.jpg" /> There will be others (2012)Publication made for the group show 'There will be others' at Angus Hughes Gallery The publication was produced by The Modern Language Experiment. The booklet contains works by the participating artists and writing by Paul O'Kane and Duncan Wooldridge. <img width="838" height="589" width_o="838" height_o="589" data-src="https://freight.cargo.site/t/original/i/1cd7d76d2707946bb5909ff95401f0045a11ac551df2829b3966143417cc7bef/there_will_inside_o.jpg" data-mid="108889256" border="0" data-scale="90" src="https://freight.cargo.site/w/838/i/1cd7d76d2707946bb5909ff95401f0045a11ac551df2829b3966143417cc7bef/there_will_inside_o.jpg" /> <img width="321" height="450" width_o="321" height_o="450" data-src="https://freight.cargo.site/t/original/i/ad2650ecc2d3e2fe507c57d910a02e70e09f39d1142ebaff60f8c9de61385629/there_will_be01_o.jpg" data-mid="108889257" border="0" data-scale="100" src="https://freight.cargo.site/w/321/i/ad2650ecc2d3e2fe507c57d910a02e70e09f39d1142ebaff60f8c9de61385629/there_will_be01_o.jpg" /> Arbeit/Labour (2010/11)Press articles for the show Arbeit/Labour at the Fotomuseum Winterthur (2010/11) <img width="840" height="514" width_o="840" height_o="514" data-src="https://freight.cargo.site/t/original/i/b621692d40bb9b07307414ecc1393947df9c253ca21da234a03f12fc872425c5/Fotomuseum_poster_o.jpg" data-mid="108889254" border="0" src="https://freight.cargo.site/w/840/i/b621692d40bb9b07307414ecc1393947df9c253ca21da234a03f12fc872425c5/Fotomuseum_poster_o.jpg" />Press articles Tina Hage's work is mentioned in (all in German):&gt; Kultur Online: click here for online article / pdf format&gt; P.S. Zuerich: click here for pdf format&gt; Money Cab: click here for pdf format Photo Pro Magazine (Issue April 2010)Interview <img width="344" height="450" width_o="344" height_o="450" data-src="https://freight.cargo.site/t/original/i/c2189efb484d9d9f8f2cdf99b3a8f377b1950b038e8e46868683852deadae162/prophoto_mag_o.jpg" data-mid="108889258" border="0" src="https://freight.cargo.site/w/344/i/c2189efb484d9d9f8f2cdf99b3a8f377b1950b038e8e46868683852deadae162/prophoto_mag_o.jpg" />&gt; Photo Pro Magazine: click here for pdf format Catlin Guide (2010)Publication <img width="332" height="332" width_o="332" height_o="332" data-src="https://freight.cargo.site/t/original/i/272189bce9197f7e409217caaebeac1bfc2478911d360792bd4e99e0d5422a57/catlin_o.jpg" data-mid="108889259" border="0" data-scale="100" src="https://freight.cargo.site/w/332/i/272189bce9197f7e409217caaebeac1bfc2478911d360792bd4e99e0d5422a57/catlin_o.jpg" /> The Catlin Guide is an elegant, limited edition collection of artist profiles, introducing the 40 most promising new graduate artists in the UK. Printed annually, each edition exhibits the artists’ latest work and details future exhibitions, projects and aspirations for the coming year.Artists featured in the inaugural edition of The Catlin Guide, published in 2010, were recommended by a wide survey of BA and MA course leaders, independent curators, gallerists and collectors, moving it towards its current reputation as an accurate and exciting overview of new British art. Stimulus Respond Magazine (2010)Issue Circus <img width="2286" height="1610" width_o="2286" height_o="1610" data-src="https://freight.cargo.site/t/original/i/aec41d2df97a925a3a207aade6eda31c70434f1b5811a3e7bce6e99b2670c57c/Bildschirmfoto-2021-06-28-um-09.48.19.png" data-mid="112477297" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/aec41d2df97a925a3a207aade6eda31c70434f1b5811a3e7bce6e99b2670c57c/Bildschirmfoto-2021-06-28-um-09.48.19.png" /> The article consist of Tina Hage's current work and a text by curator Rahila Haque &gt; Click here for full view of magazine <img width="321" height="450" width_o="321" height_o="450" data-src="https://freight.cargo.site/t/original/i/b71d06bd4a38e951701550023b186901cb19eaa5cd924e63e6f0c8e0e75ef136/stimulus_o.jpg" data-mid="108889262" border="0" src="https://freight.cargo.site/w/321/i/b71d06bd4a38e951701550023b186901cb19eaa5cd924e63e6f0c8e0e75ef136/stimulus_o.jpg" /> Flexible Aura (2009)Exhibition catalogue &amp; curatorial project Seoul/London <img width="574" height="286" width_o="574" height_o="286" data-src="https://freight.cargo.site/t/original/i/4d857f24ebc9aef528adadb268899d2f34ac76c774ebaf12503d09edd7fae893/flexi_aura_o.jpg" data-mid="108889260" border="0" src="https://freight.cargo.site/w/574/i/4d857f24ebc9aef528adadb268899d2f34ac76c774ebaf12503d09edd7fae893/flexi_aura_o.jpg" /> The publication was part of the group show Flexible Aura held at Brain Factory project space in Seoul, South Korea. The catalogue and exhibition were curated by Byeon Hyun-joo and Christine Takengny.&gt; Click here for pdf format of publication&gt; Korean Times: click here for online review of the show The Guardian (2009) The next generation of YBAs: What does the future hold?Newspaper article <img width="459" height="600" width_o="459" height_o="600" data-src="https://freight.cargo.site/t/original/i/5e9f084e73ddf3ae0e97ad1598a7896e169bcbb4dbb4f87bcf5ed7587eb969de/Guardian01_o.jpg" data-mid="108889255" border="0" src="https://freight.cargo.site/w/459/i/5e9f084e73ddf3ae0e97ad1598a7896e169bcbb4dbb4f87bcf5ed7587eb969de/Guardian01_o.jpg" /> &gt; The Guardian: click here for the online article &nbsp; &nbsp; (pdf format of printed newspaper article) <img width="1034" height="1450" width_o="1034" height_o="1450" data-src="https://freight.cargo.site/t/original/i/91167a6462eb2db53ae4c6864fa9e7174f6a7ed76a0d3f165c3434964ef390c8/Bildschirmfoto-2021-06-28-um-09.51.06.png" data-mid="112477516" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/91167a6462eb2db53ae4c6864fa9e7174f6a7ed76a0d3f165c3434964ef390c8/Bildschirmfoto-2021-06-28-um-09.51.06.png" /> KIC -NordArt (2009) Press article <img width="614" height="450" width_o="614" height_o="450" data-src="https://freight.cargo.site/t/original/i/764e2981d4adac06e17e18e197bfe46893975fe1ca3872a51ca3c9d311c7792e/Nordart_2009_Jun11_03_o.jpg" data-mid="108889261" border="0" src="https://freight.cargo.site/w/614/i/764e2981d4adac06e17e18e197bfe46893975fe1ca3872a51ca3c9d311c7792e/Nordart_2009_Jun11_03_o.jpg" /> Tina Hage's work was part of the exhibition NordArt which is held at Kunstwerk Carlshütte in Büdelsdorf, North Germany. Since 1999 the NordArt has established itself as one of the largest exhibitions of contemporary art in Europe which takes place anually in the summer months. The NordArt is an overall work of art in its own right and is designed as such each year. More than 200 international artists, selected by a jury, present a comprehensive panorama of contemporary art. https://tinahage.com/CV Thu, 26 Jun 2014 10:30:02 +0000 Tina Hage https://tinahage.com/CV Based in Munich Education 2009 Master in Fine Arts at Goldsmiths College, London, UK 2003 Professional Practicum, College of Fine Arts Sydney, Australia 2004 Diploma in audio visual studies at the Academy of Media Arts, Cologne, Germany Solo exhibitions 2022 Universal Pattern, Kunsthalle Göppingen, Germany 2021 The one that couldn’t get away,&nbsp;Thomas Rehbein Gallery, Cologne, Germany 2015 Infinite Gesture, Thomas Rehbein Gallery, Cologne, Germany The Place Here, Object / A Gallery, Manchester, UK 2013 New Positions, ArtCologne, Thomas Rehbein Gallery, Cologne, Germany Presence, Ku Gallery, Taipei, Taiwan 2012 Gestalt, Tenderpixel Gallery, London, UK2010 Tina Hage, LoBe - London Berlin Art Kunst, Berlin, Germany 2009 Two Positions, Thomas Rehbein Gallery, Cologne, Germany 2004 dial:ogee, Moltkerei Werkstatt, Cologne, Germany 2003 Erika, KHM, Cologne, Germany Group exhibitions 2026 Material Nature, J.J. Heckenhauer Gallery, Munich, Germany 2025 What is an Art Book?, TMLE, Space n.n., Munich, Germany&nbsp; The Conversations,&nbsp;H8H.space, Frankfurt a. Main, Germany 2024 Prolouge (to the conversation), H8H.space, Frankfurt a. Main, Germany Dear Future Me. Thomas Rehbein Gallery, Cologne, Germany&nbsp; Essex Neck curated by TMLE at Sluice expo, Colchester, UK 2023 Relax, BBK-Ausstellung, Galerie der Künstler*innen, Munich, Germany Showroom, Wiede Fabrik, München, Germany 2022 Shaping Protest, Museum Ulm, Germany &nbsp; Athens Photo Festival 2022, Benaki Museum / Pireos 138, Athen, Greece Territory, curated by TMLE at Sluice expo, Lisbon, Portugal 2021 Face Control,&nbsp;Foto Colectania, Barcelona, Spain 2019 Eine Mauer aus fliessenden Wasser, KUNST BLOCK BALVE, Munich, Germany 2018 25 YEARS! SHARED HISTORIES, SHARED STORIES, Fotomuseum Winterthur, Switzerland 2017 Screening: Zero Recoil Damage, part of the Folkestone Fringe Triennial, Silver Screen Cinema, UKNormal? Festival / Folkestone Quarterhouse, Whelkboy Gallery, Folkestone, UKUntitled, Sassoon Gallery, Folkestone Library Museum, UK 2016 Now for Tomorrow II, Nottingham Castle Museum, Nottingham, UK 2015 Frame thy Fearful Symmetry, Collyer Bristow Gallery, London, UKDie Stadt die es nicht gibt, cityleaks, Cologne, GermanyThe Open West, The Wilson Museum &amp; Gallery, Cheltenham, UK 2014 Trialogues by Peer Session, ASC Gallery, London UKTijdsdocument by Eddie The Eagle Museum, Tolhuistuin, Amsterdam, HollandUH-LA-LARGO, Largo das Artes, Rio de Janeiro, Brazil 2013 What is an Art Book? Vol.3, TMLE, Garis &amp; Hahn Gallery, NYC, USThe Big Picture, Illiterate Gallery, Denver, US 2012 Impel and the Procession, Ku Gallery, Taipei, TaiwanPreposterous, La Scatola Gallery, London, UKThere will be others, TMLE, Angus-Hughes Gallery, London,UK 2011 Waiting for Suicidal Hares, International Video Art Festival, Moon Event Space, Chongqing, ChinaWhat is an Art Book?, TMLE, The Mews Project Space, London,UKDeptford X, public art Festival, London, UKThe Wolfson Syndrome, The Modern Language Experiment, London, UKSimulacrum, Moon Gallery, Hong KongThe Big Picture, Illiterate Gallery, Denver, US 2010 Arbeit / Labour, Fotomuseum Winterthur, SwitzerlandShift Work, Art Under The Westway, London, UKDeceit as part of the ‘Hackney Wicked’ Festival, London, UKDown the road of Globalisation, The Crypt, St Martin’s in the Fields, London, UKBay View, Bay Gallery, London, UKWays of Seeing, I-MYU Projects Gallery, London, UK 2009 Exposure, TAP, Southend on Sea, UKNEU/NOW online Festival, Vilnius, LithuaniaFlexible Aura, Brain Factory, Seoul, South KoreaJamais vu as part of the ‘Hackney Wicked’ Festival, London, UKGoldsmiths College MFA Degree Show, London, UKKiC – Nord Art 09, Buedelsdorf, GermanyHackGold at The Triangle, Space, London, UKgroup/grope at Area10, London, UK 2007 Stopover at ADA Gallery, London, UKPure Balls at 222 Space, London, UK24h Fall-in-Theatre at the V22 Ashwinstreet, London, UK 2004 Academy of Media Arts Presents, Trinitatis Kirche, Cologne, GermanyDORKBOT, Gent, Belgium 2003 Academy of Media Arts Presents, Trinitatis Kirche, Cologne, Germany 2002 The ShowCase, Screening at the Filmhaus, Cologne, Germany Awards &amp; Others2025 Projectfunding “What is an Art Book?”, Kulturreferat, Munich, Germany 2020 Scholarship NEUSTART KULTUR from the Stiftung Kunstfonds 2014 Residency Program Trialogues by Peer Session, ASC Gallery, London UKResidency Program at Largo das Artes, Rio de Janeiro, Brazil 2013 Selected for ART COLOGNE’s international sponsorship programme ‘New Positions’ 2011 Renewal Award, Deptford X, London, UK 2010 Residency Program at LoBe - London Berlin Art Kunst, Berlin, GermanyPlat(t)form 10 at the Fotomuseum Winterthur, Switzerland 2009 Warden’s Purchase Prize, Goldsmiths College, London, UKShort listed for the Red Mansion Prize 2006-2007 Scholarship from the DAAD - German Academic Exchange Service 2005 Finalist for the VivaCity 2020 Exhibition Grant 2004-2005 Scholarship at the Design Institute Bremerhaven, Germany2003 Accepted for the exchange program at the College of Fine Arts, Sydney 2002-2004 Scholarship from the Friedrich-Naumann-Foundation Publications2026 What is an Art Book?, Book by The Modern Language Experiment 2023 Universal Pattern, exhibition catalouge, Kunsthalle Göppingen, Germany Protest! Gestalten,&nbsp;exhibition catalouge, Museum Ulm, Germany 2013 What is an Art Book? Vol.3 , TMLE, Garis &amp; Hahn Gallery, NYC, US 2012 Red Carpet, HESA Inprint Magazine, Finland 'The Formal Language of Protest', The Aesthetica Magazine, London, UK Gestalt, published in context of solo show ‘Gestalt’, at Tenderpixel, London, UK 2011 What is an Art Book?, Book by The Modern Language Experiment 2010 patricide 01, (book/print project), UK Catlin Guide, handbook for new British art in 2010, UKStimulus Respond Magazine, Issue Circus, UK 2009 Flexible Aura, catalogue &amp; curatorial project, Seoul/London Universal Pattern - Tina Hage, catalogue, London 2007 Interview with Amanda Lush in IM Newspaper, curatorial project, London, UK Collections Kunsthalle Göppingen, GermanyNottingham Castle Museum &amp; Art Gallery, UKFotomuseum Winterthur, SwitzerlandGoldsmiths University of London, UK https://tinahage.com/Contact Thu, 26 Jun 2014 10:29:08 +0000 Tina Hage https://tinahage.com/Contact info@tinahage.comInstagram A selection of my works can be viewed atThomas Rehbein GalleryAachener Straße 550674 Cologne/Germany www.rehbein-galerie.de https://tinahage.com/The-one-that-couldn-t-get-away Wed, 29 Apr 2020 10:40:39 +0000 Tina Hage https://tinahage.com/The-one-that-couldn-t-get-away Photographic series (2020) The one that couldn’t get away &gt;&gt;&nbsp;Articles about the series below <img width="1181" height="557" width_o="1181" height_o="557" data-src="https://freight.cargo.site/t/original/i/8d09728c8aafd31d52cbf7671213287a710a00973167747152c8bd554432ee57/Pancake_GreaseI_OT.jpg" data-mid="222033341" border="0" src="https://freight.cargo.site/w/1000/i/8d09728c8aafd31d52cbf7671213287a710a00973167747152c8bd554432ee57/Pancake_GreaseI_OT.jpg" /> Pancake Greaze I (stack), photographic print, 60x130cm <img width="2362" height="1852" width_o="2362" height_o="1852" data-src="https://freight.cargo.site/t/original/i/538a236561866d6a852d2a9810aa2d3f05504b72e5995e3378ac0f3a94d69ecf/WALL_Game_I.jpg" data-mid="108889008" border="0" data-scale="80" alt=" Wall Game I (clap), photographic print, 85x66cm" data-caption=" Wall Game I (clap), photographic print, 85x66cm" src="https://freight.cargo.site/w/1000/i/538a236561866d6a852d2a9810aa2d3f05504b72e5995e3378ac0f3a94d69ecf/WALL_Game_I.jpg" /> Wall Game I (clap), photographic print, 66x85cm <img width="2454" height="1772" width_o="2454" height_o="1772" data-src="https://freight.cargo.site/t/original/i/63089de3275c08cee54abab3cf1c064c35966b7b01a148a55d99303fecde9fec/Wall_Game_II.jpg" data-mid="108889009" border="0" data-scale="80" alt=" Wall Game II (chequered), photographic print, 77x60cm" data-caption=" Wall Game II (chequered), photographic print, 77x60cm" src="https://freight.cargo.site/w/1000/i/63089de3275c08cee54abab3cf1c064c35966b7b01a148a55d99303fecde9fec/Wall_Game_II.jpg" />Wall Game II (chequered), photographic print, 66x85cm <img width="890" height="984" width_o="890" height_o="984" data-src="https://freight.cargo.site/t/original/i/9241284a7a74b952de82f0929521f7cbc8012d754b638432e5baaee2af5a316c/PANCA_ZU_REF04_SPIELER_web.jpg" data-mid="228858656" border="0" data-scale="70" src="https://freight.cargo.site/w/890/i/9241284a7a74b952de82f0929521f7cbc8012d754b638432e5baaee2af5a316c/PANCA_ZU_REF04_SPIELER_web.jpg" /> Pancake Greaze II (play), photographic print, 55x50cm <img width="1417" height="1032" width_o="1417" height_o="1032" data-src="https://freight.cargo.site/t/original/i/18eca97e09f1b0bb0e9b316a6d3aa6d4d064a77ecae2a06cf469fac69fe2758b/Pancake_G_III_HalbOT-copy.jpg" data-mid="109026652" border="0" src="https://freight.cargo.site/w/1000/i/18eca97e09f1b0bb0e9b316a6d3aa6d4d064a77ecae2a06cf469fac69fe2758b/Pancake_G_III_HalbOT-copy.jpg" />Pancake Greaze III (push), halftone-dot print, site specific Installation views <img width="1890" height="1415" width_o="1890" height_o="1415" data-src="https://freight.cargo.site/t/original/i/77b75b8ce99741f2a49eaf95e25c790ad4b084e49505b5168b24e29fa6c47743/Installation_View01.jpg" data-mid="108889011" border="0" src="https://freight.cargo.site/w/1000/i/77b75b8ce99741f2a49eaf95e25c790ad4b084e49505b5168b24e29fa6c47743/Installation_View01.jpg" /> <img width="3543" height="2351" width_o="3543" height_o="2351" data-src="https://freight.cargo.site/t/original/i/e7547123cc473c68e79c6ec085b838c885a3419af453cdf5e53dc20ea16fb938/Eingangsbereich_Update_s.jpg" data-mid="112478218" border="0" src="https://freight.cargo.site/w/1000/i/e7547123cc473c68e79c6ec085b838c885a3419af453cdf5e53dc20ea16fb938/Eingangsbereich_Update_s.jpg" /> <img width="1417" height="938" width_o="1417" height_o="938" data-src="https://freight.cargo.site/t/original/i/1d7f6b375fde905fcfec82882b6592697062b9da53bd8c34472e0de9fcf01bfe/L1010712-Edit_ins-copy.jpg" data-mid="222040253" border="0" src="https://freight.cargo.site/w/1000/i/1d7f6b375fde905fcfec82882b6592697062b9da53bd8c34472e0de9fcf01bfe/L1010712-Edit_ins-copy.jpg" /> <img width="1417" height="871" width_o="1417" height_o="871" data-src="https://freight.cargo.site/t/original/i/5062acff2b6ffdec96e5b11c84029b3a989fab4c26976240b708d18943ebc395/L1010607-Edit-copy.jpg" data-mid="222040254" border="0" src="https://freight.cargo.site/w/1000/i/5062acff2b6ffdec96e5b11c84029b3a989fab4c26976240b708d18943ebc395/L1010607-Edit-copy.jpg" /> <img width="750" height="1001" width_o="750" height_o="1001" data-src="https://freight.cargo.site/t/original/i/d133130622791f1c78a6b8697b70faf7d688fd2c14ce37ee7eebafadd6bc0cc6/Set_UP_THEOne.jpg" data-mid="108889010" border="0" src="https://freight.cargo.site/w/750/i/d133130622791f1c78a6b8697b70faf7d688fd2c14ce37ee7eebafadd6bc0cc6/Set_UP_THEOne.jpg" /> ArticlesThe one that couldn’t get away by Uma Karavadra Her latest series, The One That Couldn’t Get Away, uses found images of games played in English public schools. Games include Pancake Greaze, which is played at Westminster School where a pancake is tossed in the air and students fight to grab the largest piece, and the Eton Wall game, which resembles Rugby Union. The photographs emphasise the physicality and conflict of the games, yet there is a humour in the incongruity of boys in suits and ties wrestling for a pancake. Hage subverts the image by replacing the male bodies with her own and as a woman of mixed descent highlighting the power dynamics of the scene. These games have been played for hundreds of years and are part of the tradition and legacy of institutions which have produced a high proportion of Britain’s political elite. Hage is interested in what these traditions tell us about social relations and the values upheld by institutions like Eton, which has educated 19 British Prime Ministers and a number of members of the Royal family.Tina Hage’s photographs often depict bodies in close proximity, tangled in piles of limbs or jostling for space in a crowd. While these works were created before our current predicament, they recall a not too distant reality, where daily urban life meant being part of a mass of bodies. Hage’s photographs combine the aesthetics of documentary photography with the making process of painting. She isolates a specific, meaningful moment and re-enacts it by photographing herself in each of the multiple roles and digitally composing it. The compositions draw our attention to the constructed nature of the scene, toying with the idea of supposedly candid photojournalistic images. The re-enactments are based on photojournalistic imagery either taken by Hage or found in a variety of media – often focusing on the social and political content of the imagery. Her latest series, The One That Couldn’t Get Away, uses found images of games played in English public schools. Games include Pancake Greaze, which is played at Westminster School where a pancake is tossed in the air and students fight to grab the largest piece, and the Eton Wall game, which resembles Rugby Union. The photographs emphasise the physicality and conflict of the games, yet there is a humour in the incongruity of boys in suits and ties wrestling for a pancake. Hage subverts the image by replacing the male bodies with her own and as a woman of mixed descent highlighting the power dynamics of the scene. These games have been played for hundreds of years and are part of the tradition and legacy of institutions which have produced a high proportion of Britain’s political elite. Hage is interested in what these traditions tell us about social relations and the values upheld by institutions like Eton, which has educated 19 British Prime Ministers and a number of members of the Royal family. In 2009, Hage was in Beijing towards the end of the SARS outbreak. Whilst traveling on trains she noticed passengers wearing masks, something she was unaccustomed to seeing at the time. During rush hour people were often exhausted and sometimes appeared ill on the crammed trains. Hage would take photographs on these journeys that she later recreated for her Universal Pattern series, which explores the collective as represented in mass media. In Universal Pattern IV, the artist is shown in various states of exhaustion or sleep, wearing a mask or coughing into a tissue. Mere months ago, the work could be read as depicting the universal discomforts of public transport. Today, it reflects the shared anxiety around sickness and the proximity of bodies, as well as our altered reality where the indignities of public transport are no longer a part of daily life for many. In Hage’s photographs, scenes are symbolic and the crowd functions as a reflection of society. If we look close enough there is a lot the mass can tell us about ourselves. This article was published by Uma Karavadra on Contemporary Art Society / Artist to Watch von Tanja Pol In ihrer neuen Werkgruppe: The one that could’t get away (2020), einer Reihe großformatiger Farb- und Schwarz-Weiß-Fotografien, bezieht sich Tina Hage auf spielerische Rituale, die an den beiden englischen Eliteschulen Eton und Westminster seit dem 18. Jahrhundert vollzogen werden. Diese stellt sie in einem Reenactment szenisch nach. Die Künstlerin taucht ein in einen symbolischen Raum, zu dem sie aufgrund ihres Geschlechts und ihrer Herkunft kaum Zugang hat. Die Fotos sind Momentaufnahmen einer Narration, die nah an der Realität, aber dennoch inszeniert ist.Beim Pancake Greaze der Westminster School in London, der immer am Shrove Tuesday* stattfindet, wirft der Koch der Schule einen Pfannkuchen in Richtung einer Gruppe Schüler. Ziel ist es, unter körperlichem Einsatz ein möglichst großes Stück vom Kuchen zu ergattern. Das in Eton gespielte Wall Game ähnelt dem Rugby.Bilder dieser beiden Rituale weisen gewisse Ähnlichkeiten auf: Man sieht im Kampf ineinander verkeilte Körper von jungen Männern, dogpiles, aus denen lauter Gliedmaßen hervorschauen, fast gesichtslos. Publikum dieser nicht öffentlichen Spiele ist jeweils die Schulgemeinschaft, aber es kursieren zahlreiche Fotos im Netz aus verschiedenen Jahrzehnten, diese sind Hages Vorlage für ihre eigene fotografische Reinszenierung. Allen Fotos der neuen Serie von Tina Hage ist gemeinsam, dass die Figuren westliche Männerkleidung tragen: Anzug, Hemd, Schnürschuhe, teilweise Krawatte. Des weiteren ist keine Person vollständig in Ganzfigur gegeben, die zu unterscheidenden Gruppen „Publikum“ und „Spieler“ sind entweder durch den Bildrand angeschnitten, oder die kämpferische Handlung bedingt, dass ein Gesamteindruck von einem Knäuel gesichtsloser Gliedmaßen entsteht. Die Homogenität der Kleidung im Zusammenspiel mit den Körperhaltungen und der Absenz vielfältiger Physiognomien erzeugt Bilder, die extrem verdichtet und stilisiert wirken. Eine Ausnahme bildet hier The Pancake Greaze III (push), welches wie ein Close-up Detail der anderen Bilder wirkt. Hage setzt gezielt Tiefenschärfe und eine Unterscheidung von Vorder- Mittel- und Hintergrund ein, zum einen, um die Gruppen der Spieler und des Publikums zu unterscheiden, zum anderen, um eine atmosphärische Verdichtung zu erzeugen, die beispielsweise entsteht durch große, klatschende Hände im Vordergrund, die den Betrachter in die Rolle des im Bild anwesenden Zuschauers versetzt. Dieses Moment der Zeugenschaft, ja vielleicht sogar Komplizenschaft in einigen Motiven, wie auch die Hervorhebung von Körperlichkeit vermitteln eine subtile Intimität. Der Wechsel von Close-up zu Überblickssituationen je nach Motiv durchläuft die Serie wie ein Spannungsbogen.Die Künstlerin komponiert ihre Fotografien oft unter ästhetischen Gesichtspunkten, in dieser Serie besonders deutlich in Wall Game II (chequered). Wie im Titel angedeutet ergibt die Anordnung sehr heller und sehr dunkler Partien im Bild eine Art Schachbrettmuster („chequered“). Auf symbolischer Ebene lässt sich dies deuten als ein Muster im Sinne einer Struktur. In Pancake Greaze I (stack) bilden die kämpfenden Körper eine Art Organismus, wie etwa eine Blüte, ein vielbeiniges Insekt oder Tier mit Tentakeln. Im übertragenden Sinne wird hier visuell verwiesen auf die strukturelle, institutionalisierte Macht in geschlossenen privilegierten Zirkeln. Britische Minister sind in aller Regel Alumni der beiden Schulen, auf die referiert wird. Zugang zur Schule haben insbesondere weiße, männliche Kinder herrschender Eliten.** Tina Hage verkörpert jede im Bild dargestellte Person in einzelnen Selbstporträts, die sie im Atelier macht, und in einem zweiten Schritt am Computer zum Gesamtbild collagiert. Um eine eingenommene Pose fotografisch festzuhalten, muss sie für einen Moment still verharren, paradoxerweise sind aber die Szenen, die sie nachstellt von größter Aktion und Bewegung geprägt. In der im Originalfoto dargestellten reellen Szene haben sich Männer unter Einsatz des ganzen Körpers übereinandergeworfen, das Foto friert diese Aktion ein, vermittelt sie aber. Dieses Spannungsverhältnis von Bewegtheit versus Starre ist in den Arbeiten wahrnehmbar. Obwohl der Betrachter Körper in wilden, Bewegung suggerierenden Posen sieht, strahlen die Motive auch eine nicht leicht zu fassende Stille aus. In der Realität beider Schulen sind die Rituale des Pancake Greaze bzw. des Wall Games sehr bedeutungsvoll, denn die Kontrahenten/Mannschaften vertreten verschiedene Gruppen innerhalb des Systems, es geht um Hierarchien im Mikrokosmos Schule und ihre Aufrechterhaltung. Der Ablauf und die Durchführung sowie die Ergebnisse werden sehr ernst genommen. Umgekehrt gibt es ein Phänomen in der Politik, dass Politiker*innen (in der Regel allerdings Politiker, da die Politik nach wie vor ein stark gegendertes System ist) in Krisensituationen aus Bürgersicht agieren wie in einem harmlosen Spiel, das ohne Konsequenzen im echten Leben ist. Dies scheint auch der Fall zu sein für den Politiker, für den Bürger in aller Regel jedoch nicht, im Gegenteil. Dieses Verschwimmen der Grenzen zwischen Spiel und Alltagsrealität wird in der Fotoserie The one that could’t get away sehr subtil, aber eindrücklich inszeniert. *Shrove Tuesday, auch Pancake Day: „Beichtdienstag“, Dienstag vor Aschermittwoch, also der letzte Tag vor Beginn der Fastenzeit im christlichen Kalender, in anderen Ländern und Kulturkreisen beispielsweise Faschingsdienstag, Karnevalsdienstag oder Mardi Gras genannt. **Eton ist eine reine Jungenschule. Westminster School war bis 1967 reine Jungenschule, und nimmt heute Mädchen ab 16 Jahren auf, Jungen bereits ab 7 Jahren. https://tinahage.com/Rehearsal-Page Fri, 28 May 2021 06:55:43 +0000 Tina Hage https://tinahage.com/Rehearsal-Page Photographic series (2013/2015) Rehearsal &gt;&gt; Articles about the series below <img width="4348" height="2244" width_o="4348" height_o="2244" data-src="https://freight.cargo.site/t/original/i/e7b83aadd7c38efddaf8e6bae30f91cc8503af38967144830bdf8cf57ac62842/Trumsprungx4_colur.jpg" data-mid="109771399" border="0" src="https://freight.cargo.site/w/1000/i/e7b83aadd7c38efddaf8e6bae30f91cc8503af38967144830bdf8cf57ac62842/Trumsprungx4_colur.jpg" />Rehearsal (Turmsprünge #08) photographic print, 60x115cm&nbsp;(unframed) <img width="3508" height="4932" width_o="3508" height_o="4932" data-src="https://freight.cargo.site/t/original/i/c555c9f4116d757823c1ca526690ee4df9de5847981ecc0663ce5afa83dbef78/huckepack.jpg" data-mid="109770212" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/c555c9f4116d757823c1ca526690ee4df9de5847981ecc0663ce5afa83dbef78/huckepack.jpg" /> Rehearsal (Huckepack #01) photographic print, 51x36cm&nbsp;(unframed) <img width="1629" height="1920" width_o="1629" height_o="1920" data-src="https://freight.cargo.site/t/original/i/9d709cab3cf9711c52bdc2553454a6c78a99d9b639b0df352091e650dbf61f10/RAUBERLEITER_48x57_NOISE_FLAT.jpg" data-mid="109755232" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/9d709cab3cf9711c52bdc2553454a6c78a99d9b639b0df352091e650dbf61f10/RAUBERLEITER_48x57_NOISE_FLAT.jpg" /> Rehearsal (Räuberleiter #07) photographic print, 57x48cm&nbsp;(unframed) <img width="3508" height="5138" width_o="3508" height_o="5138" data-src="https://freight.cargo.site/t/original/i/5729d011c485d1b51f97bb23493eb367b38600957fe388af97dd9b7e9d5c5314/Pony.jpg" data-mid="109770213" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/5729d011c485d1b51f97bb23493eb367b38600957fe388af97dd9b7e9d5c5314/Pony.jpg" /> Rehearsal (Pony #06) photographic print, 51x36cm&nbsp;(unframed)<img width="1920" height="1959" width_o="1920" height_o="1959" data-src="https://freight.cargo.site/t/original/i/71f038ad8e9e0dc8c8c98a5751555184fcc6065b098f436141812ac8ac87209c/SACKKARRE_59x60_Noise.jpg" data-mid="109755233" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/71f038ad8e9e0dc8c8c98a5751555184fcc6065b098f436141812ac8ac87209c/SACKKARRE_59x60_Noise.jpg" /> Rehearsal (Sackkarre #05) photographic print, 60x60cm&nbsp;(unframed) <img width="5669" height="2122" width_o="5669" height_o="2122" data-src="https://freight.cargo.site/t/original/i/9cea785fb966fc0759acf78c6c6b5b12acc3d5925397c78f4ef5cd282932b7b0/schaukel_COMBO.jpg" data-mid="109805548" border="0" src="https://freight.cargo.site/w/1000/i/9cea785fb966fc0759acf78c6c6b5b12acc3d5925397c78f4ef5cd282932b7b0/schaukel_COMBO.jpg" />Rehearsal (Schiffschaukel #03) photographic print, 51x47cm (x3)&nbsp;(unframed) ArticlesRehearsal by Keh NgThe modern language experiment “Life is a tragedy when seen in close-up, but a comedy in long-shot.” Charlie Chaplin When viewing the “Rehearsal” pieces, the viewer is reminded of a bygone era of silent films and theatre. Actions that appear funny but somehow tragic are reminiscent of Charlie Chaplin’s quote “Life is a tragedy when seen in close-up, but a comedy in long-shot.” Chaplin, a master of gesture himself was always aware of the power of the body’s language. That like in any language, nuances are the key that can hold true meaning. The figures we see in the various configurations suggest a formal relationship. It is unclear whether they are performing to entertain or for duty as while the poses are impressive, ridiculous and impossible in equal measure, the expressions of the figures are sometimes pained, non-plussed but most often vacant allowing the viewer to constantly re-assess what exactly these figures are rehearsing. Übersetzung&nbsp;Text von Keh NgThe modern language experiment “Life is a tragedy when seen in close-up, but a comedy in long-shot.” Charlie Chaplin Beim Betrachten der „Rehearsal“-Stücke wird der Betrachter an eine vergangene Ära des Stummfilms und des Theaters erinnert. Handlungen, die lustig, aber irgendwie tragisch wirken, erinnern an Charlie Chaplins Zitat „Das Leben ist eine Tragödie, wenn man es aus der Nähe betrachtet, aber eine Komödie aus der Distanz betrachtet.“ Chaplin, ein Meister der Gesten, war sich stets der Kraft der Körpersprache bewusst. Wie in jeder Sprache sind Nuancen der Schlüssel, der die wahre Bedeutung enthalten kann. Die Figuren, die wir in den verschiedenen Konfigurationen sehen, lassen auf eine formale Beziehung schließen. Es ist unklar, ob sie zur Unterhaltung auftreten oder sich im Dienst befinden, denn während die Posen gleichermaßen beeindruckend, lächerlich und unmöglich sind, sind die Gesichtsausdrücke der Figuren manchmal gequält, verblüfft, aber meistens ausdruckslos, was dem Betrachter eine ständige Neubewertung ermöglicht was genau diese Figuren proben. by Tina Hage The photo series titled Rehearsal draws on the physical comedy and visual storytelling of silent films, particularly the 1920s works of Buster Keaton. In this work, the layered composition and exaggerated body language of the two figures evoke a sense of slapstick humor. The title Rehearsal refers to the preparation for an event that, in this case, will never happen—a moment of futility, akin to the myth of Sisyphus. The figures' poses emphasize this endeavor, where the goal becomes irrelevant. The repetitive actions, reminiscent of Keaton's carefully timed comedic routines, symbolise life's cyclical nature and the constant striving inherent in everyday tasks. The reenacted poses, staged and photographed by myself, go beyond homage to silent film. They emphasise a contemporary context, offering a visual metaphor for the struggles of modern life. The figures, dressed in dark suits against a stark white backdrop, further heighten the sense of timelessness and universality. The simplicity of the setting strips away distractions, allowing the focus to remain on the movements, expressions, and tensions between the figures. Through digital collages, the images reflect how modern existence is composed of repeated efforts, where the end goal often fades into irrelevance. This creates a playful connection between the physicality of early cinema and reflections on contemporary life. Übersetzung Text von Tina Hage Die Fotocollage mit dem Titel Rehearsal greift die physische Komik und das visuelle Erzählen von Stummfilmen auf, insbesondere die Filme von Buster Keaton aus den 1920er Jahren. In diesem Bild rufen die konstruierte Komposition und die übertriebene Körpersprache der beiden Figuren ein Gefühl von Slapstick-Humor hervor. Der Titel Rehearsal bezieht sich auf die Vorbereitung auf ein Ereignis, das in diesem Fall nie stattfinden wird—ein Moment der Sinnlosigkeit, ähnlich dem Mythos von Sisyphus. Die Posen der Figuren betonen dieses Bestreben, bei dem das Ziel irrelevant wird. Die sich wiederholenden Handlungen, die an Keatons sorgfältig getimte komödiantische Routinen erinnern, werden zum Symbol für den Kreislauf des Lebens und das ständige Bemühen im Alltag. Die nachgestellten Posen, die von mir inszeniert und fotografiert wurden, gehen über eine Hommage an den Stummfilm hinaus. Sie betonen einen zeitgenössischen Kontext und bieten eine visuelle Metapher für die Herausforderungen des modernen Lebens. Die Figuren in dunklen Anzügen vor einem weißen Hintergrund verstärken das Gefühl von Zeitlosigkeit und Allgemeingültigkeit. Die Schlichtheit der Kulisse lenkt von Ablenkungen ab und ermöglicht es, den Fokus auf die Bewegungen, Ausdrücke und Spannungen zwischen den Figuren zu richten. Durch digitale Collagen spiegeln die Bilder wider, wie das Leben aus wiederholten Aufgaben besteht, bei denen das Endziel oft an Bedeutung verliert. Dies schafft eine spielerische Verbindung zwischen der Körperlichkeit des frühen Kinos und Reflexionen über unser heutiges Dasein. https://tinahage.com/Gesture-Page Mon, 07 Jun 2021 06:47:52 +0000 Tina Hage https://tinahage.com/Gesture-Page Series of photographs (2008-ongoing)GestureDream Start ,&nbsp;Bold Brave Blown Away, Loop, Red Carpet &gt;&gt; Article about the series Red Carpet <img width="3543" height="2505" width_o="3543" height_o="2505" data-src="https://freight.cargo.site/t/original/i/41fc74dbd3ea90475709b201232ab592ce2a01560543265529f510056b4f9a63/rot_new.jpg" data-mid="111277697" border="0" src="https://freight.cargo.site/w/1000/i/41fc74dbd3ea90475709b201232ab592ce2a01560543265529f510056b4f9a63/rot_new.jpg" /> <img width="3543" height="2505" width_o="3543" height_o="2505" data-src="https://freight.cargo.site/t/original/i/967ccb21494a3ae58a1e59c84dfc2393bf091407508f450b6f7804f2737296f7/Gruen_new.jpg" data-mid="111277687" border="0" src="https://freight.cargo.site/w/1000/i/967ccb21494a3ae58a1e59c84dfc2393bf091407508f450b6f7804f2737296f7/Gruen_new.jpg" /> <img width="3543" height="2505" width_o="3543" height_o="2505" data-src="https://freight.cargo.site/t/original/i/896c3f79daf4cbcce6541f7f55ae202ee9592f45f4ae63a3536e65ec9c62a4d6/BRAUN_new.jpg" data-mid="111277696" border="0" src="https://freight.cargo.site/w/1000/i/896c3f79daf4cbcce6541f7f55ae202ee9592f45f4ae63a3536e65ec9c62a4d6/BRAUN_new.jpg" /> Dream Start (2008)Triptych, photographic prints60x42cm (3x) <img width="5315" height="3205" width_o="5315" height_o="3205" data-src="https://freight.cargo.site/t/original/i/492eece8c15caf9e09c598f6bd6c4a223fe601598547fa7453afe6163a496a1a/Blown_away_02.jpg" data-mid="112875072" border="0" src="https://freight.cargo.site/w/1000/i/492eece8c15caf9e09c598f6bd6c4a223fe601598547fa7453afe6163a496a1a/Blown_away_02.jpg" /> Bold Brave Blown Away (II)Triptych, photographic prints 37x50/18x50/21x50cm (total 82x50cm) <img width="5315" height="2159" width_o="5315" height_o="2159" data-src="https://freight.cargo.site/t/original/i/6094036ef64beb740c3507321960c631027257dfd2e523acf581038bce189232/Blown_away_03.jpg" data-mid="112875075" border="0" src="https://freight.cargo.site/w/1000/i/6094036ef64beb740c3507321960c631027257dfd2e523acf581038bce189232/Blown_away_03.jpg" /> Bold Brave Blown Away (III)Polyptych, photographic prints 38x50/28x50/36x50/14x50cm (total 123x50cm) <img width="5315" height="2567" width_o="5315" height_o="2567" data-src="https://freight.cargo.site/t/original/i/ba51de06777d33799b116423f4f14d1c55d5d825582b2f9116573ff851884e74/Blown_away_01.jpg" data-mid="112875079" border="0" src="https://freight.cargo.site/w/1000/i/ba51de06777d33799b116423f4f14d1c55d5d825582b2f9116573ff851884e74/Blown_away_01.jpg" /> Bold Brave Blown Away (I)Triptych, photographic prints 16x50/ 50x50/ 28x50cm (total 102x50cm) <img width="2835" height="2366" width_o="2835" height_o="2366" data-src="https://freight.cargo.site/t/original/i/1714d6d295ff2df4f8ef3753b3708313040eb38746eb69e22b575e2246728d91/60x50_loop.jpg" data-mid="112875859" border="0" src="https://freight.cargo.site/w/1000/i/1714d6d295ff2df4f8ef3753b3708313040eb38746eb69e22b575e2246728d91/60x50_loop.jpg" /> Loop IIIPhotographic print, 60x50cm <img width="2366" height="2835" width_o="2366" height_o="2835" data-src="https://freight.cargo.site/t/original/i/b3126f43ec3c36bce84795c82adc5d7f41875c995f7c4b7316772fc104d6df6e/60x50_McCain.jpg" data-mid="112875913" border="0" src="https://freight.cargo.site/w/1000/i/b3126f43ec3c36bce84795c82adc5d7f41875c995f7c4b7316772fc104d6df6e/60x50_McCain.jpg" /> Loop IIPhotographic print, 50x60cm <img width="2362" height="2835" width_o="2362" height_o="2835" data-src="https://freight.cargo.site/t/original/i/13dbbde75a1416df300c5a14fb2ce88bd89e5460ef594fd0ad841e18d610a3dd/60x50_CrowdPoli.jpg" data-mid="112875914" border="0" src="https://freight.cargo.site/w/1000/i/13dbbde75a1416df300c5a14fb2ce88bd89e5460ef594fd0ad841e18d610a3dd/60x50_CrowdPoli.jpg" />Loop IPhotographic print, 50x60cm <img width="1200" height="975" width_o="1200" height_o="975" data-src="https://freight.cargo.site/t/original/i/9d9ef33f9311a3bdfe27f111a1b573f693b76749ac1b665f165e2e4a9b4924c6/roter_teppich_0008_o.jpg" data-mid="110724338" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/9d9ef33f9311a3bdfe27f111a1b573f693b76749ac1b665f165e2e4a9b4924c6/roter_teppich_0008_o.jpg" />Red Carpet (I)Photographic print, 80x60cm <img width="1300" height="975" width_o="1300" height_o="975" data-src="https://freight.cargo.site/t/original/i/fe4de52a10a00d8bfa2faf4a96d26f34065b16f91ea2209365a8c0bb6cd60138/roter_teppich_0027_o.jpg" data-mid="110724340" border="0" src="https://freight.cargo.site/w/1000/i/fe4de52a10a00d8bfa2faf4a96d26f34065b16f91ea2209365a8c0bb6cd60138/roter_teppich_0027_o.jpg" /> Red Carpet (II)Photographic print, 80x60cm <img width="1200" height="908" width_o="1200" height_o="908" data-src="https://freight.cargo.site/t/original/i/6f014e5a5bdf02cf86ccb91ac4cb7345dbecb0d1c78f425c886ecec4815ec16a/roter_teppich_0071_o.jpg" data-mid="110724339" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/6f014e5a5bdf02cf86ccb91ac4cb7345dbecb0d1c78f425c886ecec4815ec16a/roter_teppich_0071_o.jpg" />Red Carpet (VII)Photographic print, 80x60cm <img width="1200" height="1251" width_o="1200" height_o="1251" data-src="https://freight.cargo.site/t/original/i/1c69684c94fa837d4f958bffe4e12d1c2bdda4fc12c379faa305525c5ea83ab2/roter_teppich_0044_o.jpg" data-mid="110724335" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/1c69684c94fa837d4f958bffe4e12d1c2bdda4fc12c379faa305525c5ea83ab2/roter_teppich_0044_o.jpg" /> Red Carpet (VI)Photographic print, 60x80cm <img width="1300" height="975" width_o="1300" height_o="975" data-src="https://freight.cargo.site/t/original/i/badaae327dbce3bf3ad3c0b5e5548f79a84927231e875f956c975ab3732af6e7/roter_teppich_0065_o.jpg" data-mid="110724336" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/badaae327dbce3bf3ad3c0b5e5548f79a84927231e875f956c975ab3732af6e7/roter_teppich_0065_o.jpg" /> Red Carpet (II)Photographic print, 80x60cm <img width="985" height="1200" width_o="985" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e16885ef72ab3fd81487d93b5ee7b67ff7abf85446b412aca1bb46ee9c6a411f/roter_teppich_0057_o.jpg" data-mid="110724337" border="0" data-scale="77" src="https://freight.cargo.site/w/985/i/e16885ef72ab3fd81487d93b5ee7b67ff7abf85446b412aca1bb46ee9c6a411f/roter_teppich_0057_o.jpg" /> Red Carpet (V)Photographic print, 60x80cm <img width="1238" height="900" width_o="1238" height_o="900" data-src="https://freight.cargo.site/t/original/i/7c71c86e341ef494b56f73cc0bb3961c71435e19553f1f868a70e7c2e1a1cb61/roter_teppich_0010_o.jpg" data-mid="110724341" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/7c71c86e341ef494b56f73cc0bb3961c71435e19553f1f868a70e7c2e1a1cb61/roter_teppich_0010_o.jpg" /> Red Carpet (IV)Photographic print, 80x60cm ArticleRed Carpet (2012) by Tina HageThe series Red Carpet is inspired by imagery in the media documenting the arrival of an official states person at an airport.The gesture of laying down a red carpet is used here to mark the route taken by heads of state on formal occasions and expresses a special effort made by an nation showing their hospitality.While everything in this ceremonial event remains in its normal state; the Astroturf with the white and yellow lines on the ground – it is the formal gesture of laying down a red carpet for sometimes less then 10 meters that transforms the context and location here. The temporary set up of a particular moment is what strikes me and which relates very much to photography: there is only a chosen frame which is visible in a photograph, everything out side this frame does not exist and is open to your imagination.The work was first published in the magazine HESA inprint issue 20 in 2012.